Champions of Equality

• Ida B. Wells – A teacher-turned-journalist, Wells was a fearless anti-lynching activist and suffragist who used her powerful voice to fight for justice and racial equality.
• Mary Church Terrell – As a founding member and later president of the National Association of Colored Women, Terrell was a prominent suffragist and civil rights advocate. She also played a key role in establishing the NAACP.
• Equality Trailblazers Mural – This striking public art installation in Memphis honors the many local women who fought for suffrage, civil rights, and gender equality.

Entrepreneurs and Pioneers

• The Lee Sisters – This inspiring trio made history as the founders of Tennessee’s first African-American-owned tour company, paving the way for future Black entrepreneurs.
• Elma Neal Roane – A fearless advocate for women in sports, Roane led the charge for gender equality in athletics, ensuring women had equal opportunities in competition.
• Lucie Campbell – A gifted teacher and musician, Campbell composed hymns that resonated deeply within the African American community and worked to advance education.
• Annie Cook – During the devastating Yellow Fever epidemic, Cook courageously transformed her home into a hospital, caring for the sick when many fled the city.
• Lena Angevine Warner – A nurse during the Yellow Fever crisis, Warner fought for improved sanitation and public health measures in Memphis.

The Power of Women’s Voices

• WHER–All-Girl Radio – As the first all-female-staffed radio station in the U.S., WHER gave women a new platform to make their voices heard. Marion Keisker, a pioneering broadcaster, was the station’s first voice on air.
• Estelle Axton – A co-founder of STAX Records, Axton played a key role in shaping Memphis’ iconic soul music scene.

You can follow the Memphis Women’s Legacy Trail through downtown, Central Avenue, Elmwood Cemetery, and other notable spots to learn more about these women and even more local pioneers.

The post Memphis Women’s Legacy Trail: Honoring the Local Trailblazers This Women’s History Month appeared first on We Are Memphis.

Let’s start at the very beginning. Tell us a bit about the formation of WIMM and the people behind it.

It had been an idea running through my head for a while since 2020/2021 when I’d see monthly listings at venues and wondering why I didn’t see many women acts on the boards when I was meeting so many female musicians around town. I’d run a successful live-streamed show in NY and thought, we should do that here, for women! I mentioned it to my friend Alice Hasen, who thought it was a good idea and WiMM was born. We enlisted a few others to help out and then in March 2022 we hosted our first showcase at BSIDE. It has grown from there and honestly, there really is no limit because if you can dream it up and execute it, it lives. Currently, it is a one-woman operation but we are always collaborating with other movers and shakers here.

For those who may be unfamiliar with WiMM, give us an overview of your typical work and programming.

WiMM is “Women in Memphis Music.” We are committed to providing a platform that highlights and uplifts female and female-identifying musicians and provides a space to connect and create a community that thrives, collaborates, supports, and promotes one another. That has been our mission statement from day one. We want to offer up-and-coming musicians trying to get their footing here in Memphis a resource and place to start by meeting other women musicians and a platform dedicated to highlighting their talents.

You recently celebrated your third anniversary as an organization (Congratulations!). Reflecting back on the past three years, what are some of your personal highlights?

Thanks! Hosting Carla Thomas’ 81st birthday will always remain a highlight. Hosting an all female-fronted music festival with all genres represented; from Glockianna to Joyce Cobb to Oakwalker to The KLiTZ. Seeing the crossover of women playing in each other’s bands at showcases is always cool. Hearing that musicians met at one of our events and play together now, is the reward! I purposely combine genres with each show to help “cross-pollinate” and introduce artists who may never cross paths otherwise. Having people come up to me after the shows to say what a beautiful night it was and they felt the good vibes of camaraderie and love through the evening always warms my heart. We are all in this together, unity is the only way!

We certainly won’t ask you to pick favorites, but share some of the up-and-coming women artists that you think more people should have on their radar this year.

There is simply no way I could pick any one artist or artists because with every show we host, I am constantly blown away with the talent in this city. The caliber of female artists here is vast and covers all genres! I invite people to check out our YouTube page that contains the last 3 years of archived performances and find your new favorite artist in the city! Or come to a monthly showcase! Nothing beats live music!

What are some of your plans for WiMM, both the in the near future and longer-term?

We plan to keep hosting monthly showcases, happy hours, informational events, vocal workshops, representing at events across the city, connecting women, amplifying women’s presence in the music scene here and we’d love to produce another successful female fronted music festival! I’m sure other things will transpire as well, we want to keep growing and connecting.

What are the best ways to connect with WIMM, both for artists and fans?

You can reach us anytime via email (connectwimm@gmail.com) for more information on how to be a featured artist and through our IG page (@womeninmemphismusic). We’d love to hear from you and if you are an artist, host you! We also hope to see you at a show soon!

The post Three Years In, WiMM Continues to Showcase the City’s Brightest Women Artists appeared first on We Are Memphis.

We caught up with Victoria Johnson, a professional and creative legacy writer, who is doing amazing work with individuals as well as youth in the city to use their voices to narrate their stories as a form of healing.

WAM: Can you describe the unique work that you do and what inspired you to pursue it?

I am a professional and creative legacy writer, as well as an impact speaker. My work centers around facilitating healing writing communities and curating safe spaces—through dinners, Storytelling shows, community conversations, and more. I create spaces where language is used not just to communicate, but to heal rather than harm.For a long time, I knew the purpose and need for these creative and honest spaces, but I struggled to believe I could be the one to bring them to life. Life didn’t always make room for it, support was scarce, and I wasn’t sure how to make it happen. But one thing I’ve learned is that the gifts we carry don’t let up—they call to us, no matter how much time passes. After years of doing my own work and healing, I knew it was time to step fully into this purpose. Writing, creating, and building community are not just things I do—they are who I am. And now, I use them to support others in a way that is both natural and deeply meaningful to me.

WAM: What are some key lessons or values you hope to impart to those who engage with your work?

I hope people learn to breathe again or rediscover what it means to truly exhale—to release the weight & to set down the burdens they’ve been carrying. I hope people find the unspoken versions of themselves and greet them well. I hope that in these moments their spirits feel unburdened, unbound, and full. More than just leaving inspired, I want them to leave impacted. I always say, “Do not let your dreams die in draft mode.” I want them to walk away believing in the power of their own story, knowing that their voice matters, and that their life is meant to be fully lived.I hope they remember that their worth isn’t tied to how much they produce or how hard they work. There is just as much value in being—in being seen, heard, loved, and held exactly as they are. Their experiences, their truth, their existence means something. I want them to feel the freedom to create, to express, to take up space without questioning if they deserve to. More than anything, I want them to leave with a renewed sense of self—lighter, unafraid, and willing to embrace the life that is still unfolding before them.

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission?

When I was in college, Native Son, by Richard Wright was at the top of every required read list. I would soon realize why. It has steadily become one of my favorites. Reading this naturally caused me to invest my efforts into getting to know the author. I remember stumbling across some information that indicated he was denied access to a  library card at Cossitt Library, in Memphis TN. While disheartened by this I didnt think too much about it over the years. Until two years ago, I found myself walking through the doors requesting a library card. As I read some random pieces of paper I kept repeating “ Cossitt, Cossitt Library, why does this sound so familiar?” I would ask myself until it hit me heavy-like. Here I am casually getting a library card in a space where one of the most prolific writers was denied the chance to read. While he found a way to get reading materials from Cossitt ( which continued to feed and spark his curiosity to becoming a writer / author), his skin color tried to dictate his worth at that time. We share the same skin color. We share the same desires and wants to communicate to the world through words. As speakers, authors, creators. One of us is living while one of us has passed on and left LEGACY between each page written. That day, standing in Cossitt Library, I felt the weight of history press against my shoulders. I pulled out my phone and looked up the details: In 1927, a young Richard Wright had to rely on a white co-worker’s library card to access books here, forging notes that said “Please let this Negro boy have some books.” He would carefully select his reading material from a distance, never allowed to browse the shelves himself.

Now, nearly a century later, I stood at the front desk as the librarian smiled and handed me my own card – no questions asked, no subterfuge needed. I ran my fingers across its smooth surface, thinking of Wright writing in his memoirs: “I forged my first works of fiction, writing the notes that would enable me to get books.” That simple piece of plastic in my hand represented not just access to books, but the distance we’ve traveled and the distance still to go. I found myself wandering through the stacks that day, pulling out books at random, simply because I could. I touched their spines, opened their pages, breathed in their scent – all the simple freedoms Wright had been denied. Before leaving, I checked out a book at my leisure. As the librarian scanned it, I imagined Wright’s ghost watching from the corners of this renovated space, nodding in quiet acknowledgment. His determination to read and write despite the barriers placed before him had helped pave the way for future generations of Black writers and readers. Now, every time I use my library card, I remember: I’m not just checking out books – I’m continuing a legacy of literary persistence, of turning words into weapons against injustice, of transforming pain into prose that changes hearts and minds. In the end, Wright’s legacy isn’t just in the books he wrote, but in the doors he helped open – including these library doors – for those who would follow. His story reminds us that sometimes the simplest acts, like getting a library card, carry the echo of hard-won battles and the promise of victories yet to come.

WAM: Why do you think Memphis is an important place for the work you do?

I did not grow up here, but my roots grew here. They were watered here. Some still remain, while others had to be uprooted for different reasons. Moving to Memphis felt like finally coming home.This city carries so much history, resilience, unspoken pain and undoubted joy. There is so much healing needed in this space but also so much beauty that is already showing itself proudly. So many people are longing to be cared for, to be given space, to be seen in ways that don’t require them to perform or prove their worth. Memphis is a city of storytellers, of legacy builders, of those who have fought to make something out of nothing. And I believe the work I do—creating spaces for healing, writing, and self-expression—helps nurture that legacy. Memphis is a place where voices deserve to be heard, where stories deserve to be honored, and where people deserve to be reminded that they are worthy—not just because of what they’ve endured, but because of who they are. My work belongs here because the people here deserve spaces that remind them they are not alone, their experiences matter, and they still have the power to write what comes next. My story started here, the chapters traveled, and now it is back here to tell the stories to come.

WAM: Why do you believe your work is especially important for the Black community in Memphis?

My work is especially important for the black community as it  focuses on empowering Black Memphians to become the authors of their own narratives. Whether it’s helping a grandmother document her family’s journey from the Delta, guiding young writers to find their voice through poetry, or working with community elders to preserve oral histories, each project adds another vital thread to our collective tapestry. This work isn’t just about preserving the past—it’s about building bridges to the future. When a young person discovers they can write their truth, when a community member realizes their story matters, when a family’s history is documented and celebrated, we’re not just creating literature—we’re creating legacy. We’re showing future generations that their experiences are valid, their voices are powerful, and their stories deserve to be told.

In Memphis, where the echoes of struggle and triumph still resonate, this work becomes even more crucial. We’re not just writing stories—we’re reclaiming our narrative sovereignty, one word at a time. It’s about breaking generational cycles of silence, finding clarity in our stories, and speaking our truth in a way that feels real and unapologetic.  Because when we own our stories, we own our power to shape what comes next. This is how we ensure that our history doesn’t just live on, but lives forward, inspiring and empowering generations to come. We are becoming the wisdom that was once down passed to us, it now runs through us. My work is also used to strengthen organizations and businesses with their internal struggles.

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture?

Black legacy and culture live in our stories—our truths, our triumphs, our struggles, and the wisdom we pass down. I see my work as a way to honor and preserve that legacy by helping Black writers in Memphis and beyond reclaim their voices and document their journeys with intention. Writing is a powerful form of resistance, healing, and transformation, and through my programs, I encourage people to tell their stories as they were, but also to write the futures they want to see.

By creating a space where Black voices are nurtured, validated, and amplified, I’m contributing to a legacy of storytelling, writing, creating, and educating, that has always been central to our culture. Whether through personal narratives, letters to our ancestors, or visions of the future, we are archiving our existence in a way that ensures our stories don’t just survive—they thrive. My work isn’t just about words on a page; it’s about building a bridge between where we’ve been and where we’re going, making sure that our history is preserved and our future is written by us, for us.

WAM: What are your hopes for the future of your work and its impact on Memphis?

I envision this body of work growing into a deeper movement—one that inspires a culture of storytelling and writing , self-discovery,  healing through words, and empowerment within the Black community in Memphis. I want writing to be more than just an art form; I want it to be a tool for healing, transformation, and social change. My hope is that more people will step into the power of their own narratives, using their voices to break cycles of silence, reclaim their truths, and shape the futures they deserve.

Ultimately, I hope this movement sparks a lasting ripple effect—where the stories we tell today become the foundation for the legacy we leave behind.

The post Black Legacy Lives Here: Victoria Johnson appeared first on We Are Memphis.

Meet Kevin Thomas, the Founding Artistic Director of Collage Dance, who is shaping the next generation of dance and artistry right here in Memphis.

WAM: Can you describe the unique work that you do and what inspired you to pursue it? 

I began my own ballet training at the age of 7 in Montreal, Canada. It would take another 8 years before I ever saw a Black professional ballet dancer, a person who looked like me and had achieved the career I’d dreamed of. I went on to dance professionally for companies in both Canada and the United States and landed at Dance Theatre of Harlem, the first black dance company in the nation, as a ballet dancer for ten years. 

This was the first time I felt seen, celebrated and ultimately safe to be my full self. That planted the seed for the Collage Dance Conservatory which now trains nearly 1,000 young dancers of color in Memphis each week. 

WAM: What are some key lessons or values you hope to impart to those who engage with your work? 

Training in our conservatory cultivates qualities in our students that they need to dance, train, and perform, but that also benefits them greatly beyond the stage. We’re not just creating great dancers, we’re inspiring the next generation of leaders who have discipline, accountability, work ethic, collaboration, creativity, and self-pride as deeply embedded core values to ground their life’s work. 

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

I’m deeply inspired by the community of Memphis, its rich cultural heritage, beloved music and arts community, and the people who make it a great place to live and create. It’s why we relocated and established our organization’s roots in the city 15 years ago. 

I have also choreographed pieces inspired by Memphis’ history, like Rise set to Dr. King’s “I’ve Been to the Mountaintop” speech given at the Mason Temple in Memphis, Tennessee on April 3, 1968, and featuring professional dancers from our international touring company performing alongside students from the Collage Dance Conservatory. 

We have also invited guest choreographers to visit our city and create new works inspired by the richness all around us like Amy Hall Garner’s Bluff City Blues, a first-of-its-kind ballet inspired by the Home of the Blues, and Joshua Manculich’s Wash inspired by his visits to the Mississippi River. 

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis has a rich creative and cultural heritage, and, at the same time, Memphians are working towards a bold vision for what this city can become. We’re inspired by this promise and were moved to contribute to that vision, and this rich community, when we relocated the organization here many years ago.

WAM: Why do you believe your work is especially important for the Black community in Memphis? 

Our art form, and most classical art forms, have histories that did not center our stories, welcome our complexions, or seek to include our communities on or off the stage. Collage Dance is on a mission to change that and introduce historically excluded communities, like African Americans, like Southerners, like so many of us, to our beloved world of ballet. We’re committed to creating story ballets, event experiences, public performances, training opportunities, and more, with our community in mind. 

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture? 

We advance community and our culture’s legacy through the thousands of children of color who feel seen, invested in, and nurtured through our dance education programming. And when we share stories that center communities of color on stages around the country, patrons leave feeling affirmed and overcome by emotion. And when hundreds take beginner-friendly adult dance classes each week in our welcoming and affirming Center for Dance in the heart of Binghampton. We are preserving and advancing culture through the work we create, the space we share, and the community members of all ages we are proud to engage each day. 

WAM: What are your hopes for the future of your work and its impact on Memphis? 

We hope that our mission becomes a lasting reality. That we do our part to “inspire the growth and diversity of ballet” the world over, so that one day the dancers on stages, patrons in seats, students in dance studios, and philanthropists generously supporting our work reflect the beautiful diversity of our world without exception.  

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

I would encourage people to pursue what moves you. When the days are long, the resources are challenged, and the support is wavering, it’s deep passion for the work that will keep you committed to moving forward. 

The post Black Legacy Lives Here: Kevin Thomas & Collage Dance appeared first on We Are Memphis.

Radio Personality; Journalism Professor at The University of Memphis.

Memphis lives and breathes Black history. This February, We Are Memphis presents Black Legacy Lives Here—a month-long celebration of Black excellence, past, present, and future. We’re spotlighting four educators and leaders shaping the next generation.

Here, we spoke with Terris Sheronda King who is moving Memphis’ history forward with her voice both live on air and in the classroom.

WAM: Can you describe the unique work that you do and what inspired you to pursue it? 

I’m a radio personality and a journalism professor at the University of Memphis. I take great pride in training the next generation of broadcasters. What inspired me to teach was a conversation with Stan Bell, a longtime Memphis radio legend. He told me many years ago that teaching broadcasting is different from teaching other subjects like English or Math. He told me that students in broadcasting are genuinely excited about learning the ins and outs of radio and the broadcast industry. He was right for the most part. It’s that energy and enthusiasm from the students that makes it so fulfilling for me to teach. I love watching them grow, not just as students, but as future professionals. 

WAM: What are some key lessons or values you hope to impart to those who engage with your work?   

As a radio personality and journalism professor, I aim to instill a deep passion for broadcasting and a commitment to integrity in my students. It is important that your audience trusts you. That is why it is equally important to really think critically about what comes out of your mouth. I encourage my  students to be adaptable and innovative because the media landscape is always changing, and everyone is a media maker now. I also stress the value of collaboration, networking, and social responsibility, ensuring that students understand the power of their voices and the impact their words can have on the community. 

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

Memphis has played a significant role in shaping both my personal and professional journey. The city’s rich musical roots and its deep connection to social justice movements, has taught me the power of using your voice to influence change. As a radio personality, I draw inspiration from my city. I feel that Memphis thrives on community connection and resilience.  In my work as a journalism professor, I emphasize the importance of understanding the local culture and what challenges we face. Journalism can also be used as a tool for social impact. I teach podcasting at the University of Memphis and last semester I required my students to podcast with a purpose. What changes can be made because of the research presented in your podcast? Memphis reminds me daily of the responsibility we have as journalists to reflect our communities truthfully including the changes that need to be made.   

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis is an important place for the work I do because it’s where I was born and raised, and it’s a city that truly embodies both its challenges and its incredible sense of community. Despite the struggles the city faces, there’s a strong undercurrent of resilience and solidarity that surfaces during times of difficulty. As a radio personality, I’ve seen firsthand how the community comes together through music, conversation, and shared experiences, and I love that for us. As a journalism professor, Memphis offers a unique backdrop for teaching my students the power of local stories—stories that speak to the heart of the city’s history, diversity, and collective strength. There’s a responsibility to not only inform but also to amplify the voices of those whose stories are often overlooked, and Memphis provides a fertile ground for that kind of  journalism. 

WAM: Why do you believe your work is especially important for the Black community in Memphis?  

I believe my work is especially important for the Black community in Memphis because representation matters. As a Black woman who grew up in South Memphis and the Westwood area, I want Black students to see someone who looks like them thriving in spaces like radio and journalism. Too often, our communities are underrepresented or misrepresented in the media, and I strive to challenge that narrative. By being on the radio and teaching journalism, I’m able to show that Black voices can lead, inform, and shape the conversation. I want my students to know that their stories matter, that their perspectives are powerful, and that they have a place in this industry. It’s about empowering the next generation to not only see themselves in the media but to create it themselves—making sure our narratives are told with authenticity, pride, and integrity. 

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture?   

I have been doing radio in Memphis since 1995, and over the years, I’ve made it my mission to represent the rich heritage as well as the culture. This is my city, and I have a deep love for the Black community in Memphis because I am a part of it. Whether through music, interviews, or community-focused topics, my work in radio serves as a platform to celebrate Black culture and bring attention to the issues that impact us. It’s not just about entertainment—it’s about preserving and advancing our legacy and helping shape the future of Black Memphis. 

WAM: What are your hopes for the future of your work and its impact on Memphis? 

It is my hope that someone is inspired by hearing me either on air or in the classroom to the point where they want to pursue their own voice in broadcasting or journalism. Whether it’s a student who feels encouraged to step into this industry or a listener who feels seen and heard, I want others to feel empowered to share their truth. I hope to contribute to a future where Memphis’ diverse voices—especially those from underrepresented communities—are consistently highlighted and celebrated. My ultimate goal is for my students and my audience to realize the power they have to shape narratives, influence change, and connect with their communities in meaningful ways. If I can inspire even one person to believe in their own potential and see the importance of their story, I will feel that my work has made a lasting impact on Memphis. 

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

As a Black woman in broadcasting and journalism, I would encourage others in the Black community to pursue work that enriches others while embracing the unique power of their voices and experiences. My mom always told me growing up that everyone has value, and our stories also have value, and they need to be heard from our perspective. Whether it’s through radio, journalism, or any other field, I’d tell them to lean into their passion and remain authentic. Don’t try to emulate anyone else. You can have an impact just by being yourself. Use your platform to uplift your community, challenge stereotypes, and create opportunities for future generations. In our stories, there’s healing, there’s wisdom, and there’s power—don’t ever underestimate what we bring to the table. My hope is that others don’t just follow in my footsteps, but that they make an even bigger imprint by carving out their own paths and pushing boundaries even further. 

I am HER. I am the little black girl born in South Memphis, schooled in Westwood who dared to pursue my own path and use my talents to do what I love while making a difference in the lives of those who hear me. 

The post Black Legacy Lives Here appeared first on We Are Memphis.

Chief Program Officer, BRIDGES

Memphis lives and breathes Black history. This February, We Are Memphis presents Black Legacy Lives Here—a month-long celebration of Black excellence, past, present, and future. We’re spotlighting four educators and leaders shaping the next generation.

Here, we spoke with Mario Hendrix who is moving Memphis’ history forward as the Chief Program Officer for BRIDGES, known mostly for the Bridge Builders Program.

WAM: Can you describe the unique work that you do and what inspired you to pursue it 

I’m the Chief Program Officer for BRIDGES. Many people know us mostly for the Bridge Builders program. We are a Leadership, Diversity, and Community Action Program that provides hands-on unique experiences for middle and high school students. When I first entered the Bridge Builders program, I was a rising 10th grader and didn’t want to come. My grandparents made me attend. I was the only one from my school Corry Jr. High. I grew up in South Memphis on Judson St off Alcy. My experiences in the Bridge Builders program provided me with a chance to meet people like and different from my life experiences. The people I had conversations with and did activities with completely widened my perspectives on life.  I have engaged thousands of students over time through Bridge Builders. My personal goal is to ensure that each student knows they count. So far in my professional career, I have been in the nonprofit world. This is very important because it allows me to interact and provide a one-on-one service that assures them that they are heard and validated.  

WAM: What are some key lessons or values you hope to impart to those who engage with your work?  

There is no right or wrong way to be a leader. Everyone has the skills and power within. Students are realizing they are valuable members of the community while learning how to handle different types of conflict, respect for the genuine person, how you are a product of your neighborhood and more, and how to be problem solvers. All of this can be accomplished with face-to-face communication and conversation. 

It doesn’t matter what neighborhood or community you grew up in or currently live in. Each experience has value in shaping and making Memphis a place to live, work, and play. It is important for me to let students know that even if you go away for school after graduating, Memphis is a place where you can bring your talents back to the city and have an impact.  Memphis can always use fresh opinions and perspectives.  

WAM: What aspects of Memphis’ community or legacy have influenced your journey or mission? 

Memphis is truly a small town. Everyone knows everyone. This uniqueness bears fruit for everyone to know they matter. My mentors have instilled in me the sense of being “a student of the game.” I’m constantly learning> I try to always find a glow to add to my toolbelt to give to others. I aim to go the extra mile to get the information that people need. Many people say I don’t know and stop there. I want people to know I want to provide answers that are beneficial. I want each staff member, student, and family that they have contact with to know it is more than a job. When they get through interacting with me, they know I listened carefully and gave them my undivided attention. Great service goes hand in hand with my character.  

WAM: Why do you think Memphis is an important place for the work you do? 

Memphis is my home. I graduated from Central High School and the University of Memphis. Memphis is rich in heritage and history. We are known for music and barbecue. We are also one of the most philanthropic communities. We are willing to give our time and money to causes that support growth in our city.  This at times is why people are always involved whether we want them to be or not. Memphis is a very resilient city. Our community is vibrant with significant neighborhoods with extraordinary people. My work is all about human experience. The deeply rooted connections between students lead to strong leadership and connection within our city. 

WAM: Why do you believe your work is especially important for the Black community in Memphis? 

Many times, black students are told that they don’t matter or that what they do doesn’t matter. This is incorrect. Their perspectives and viewpoints are often overlooked. We try to provide support in navigating the challenges they experience. Oftentimes, black students don’t have the opportunities to experience outside their neighborhood. We provide experiences that showcase our city. We offer insights that are different and similar to theirs. We foster connections that they may not have thought about, and most importantly encourage conversations that may be hard to have but provide the space and comfort zone for them to speak up and out.  

WAM: How do you see your work contributing to preserving or advancing Black legacy and culture? 

We are always seeking students to join the program from every middle and high school. We are especially seeking students from our periodontally black schools. However, many times students attending these schools are not provided the same resources as other schools. The culture of their school is vital to bring our larger communities into one accord. This allows all students a chance to express positive things about their schools and the great attributes of the community their school is in. They can destroy the negative stereotypes that people here have by enhancing perspectives and the richness of their neighborhoods. The enriching stories and knowledge from the history of the people that are currently in the program and alumni promotes success. We have many black leaders throughout our city who have been through the program or had an experience with our programming. This empowerment within our community breathes success for Memphis.  

WAM: What are your hopes for the future of your work and its impact on Memphis? 

I hope that adults in our community understand that the youth in our community should be at the table with us as colleagues. I want Memphis to not stay settled and open the envelope that may cause us to pause and rethink things that lead to a better today. We have to create and foster connections that empower us to improve the Black experience within our city.  Times have changed since I grew up. This new age that we are in allows me to be a catalyst for people to have dialogue. I want students and adults to take ownership of their narratives and use their strengths to build a positive and thriving city. Our voices are different and no one voice should be silent. I eagerly look forward to heightening the voices of our community. I intentionally spread the good news that our city offers.  

WAM: How would you encourage others in the Black community to follow in your footsteps or pursue work that enriches others? 

I’m a servant leader at heart. I’m always trying to listen to understand another person’s perspective. My goal is for each individual that I come in contact with to understand they can be more than what they thought they could be. I am in their corner. Many students especially our black boys and men don’t have the encouragement they need to get over that hump. It is my lifestyle to live a life of seeing the best in each individual person. I encourage people to see the importance of mentorship, working together, and staying grounded. As a proud black man who was raised and grew up in Memphis. A place that has taught me life lessons self-respect and endurance. Memphis is me and I am it. I will always look for greatness in my city for others to follow my lead.  I will always honor and showcase the pride I have in myself, my family, my work, and my MEMPHIS.  GO TIGERS!! 

The post Black Legacy Lives Here: Mario Hendrix appeared first on We Are Memphis.

While we honor the history that built Memphis, we also recognize that Black legacy is still being written—through the educators, mentors, and community leaders who are shaping the next generation. Throughout the month, we will spotlight four individuals whose work has an educational influence, enriches the community, and provides opportunities for learning.

By sharing their stories, we hope to inspire, educate, and ignite meaningful conversations about how we can all contribute to moving Black history forward. Because here in Memphis, Black legacy isn’t just a part of our past—it’s our present and our future.

The post Black Legacy Lives Here appeared first on We Are Memphis.

Meet Payton Willis

“From being brought up in a hardworking and loving family throughout my adolescence, what inspired me to pursue higher education at the University of Memphis was the support from my family to achieve my true ambitions with no regrets. With their encouragement and the positive influence they have had on me, I prioritized finishing the dream they couldn’t achieve when they were young—going to college. I proudly graduated in three years as a first-generation student representing the Willis and Green family.

My family and I are blessed to have received financial assistance throughout my college journey, which made my persistence possible. Balancing school with family, personal, social, and work-life obligations as the oldest son has been my greatest challenge. Time never stands still, so I learned to take life in baby steps, much like riding a bicycle for the first time or following instructions to assemble furniture. I’ve realized the importance of patience in everything I do. With patience comes achievement, and with achievement comes success. This wisdom became a guiding principle not only for my academics but for every aspect of my life, reminding me to also take time for myself.

I’ve always valued physical health, a principle instilled in me during my time as a Cub Scout and Boy Scout. The scout laws and oaths—keeping physically strong, mentally awake, and morally straight—remain deeply rooted in my heart. Alongside my studies, I prioritized staying active by working out at the gym, stretching, and breakdancing.

I started breakdancing a year ago and am proud of the skill level I’ve achieved with my original techniques and creativity, all developed through baby steps. I look forward to joining a Bboy crew and competing one day, representing my family, friends, the University of Memphis, and the First Scholars program.

First Scholars has been instrumental in my success at the University of Memphis. This four-year scholarship program supports first-generation students in achieving their dreams by providing one-on-one mentoring, workshops for professional and personal development, service and leadership opportunities, and extensive networking to connect with peers, faculty, alumni, and employers. Through this program and others offered by the Office of First-Generation Student Success, first-generation students are empowered to win.

I am incredibly grateful for the resources available to me as a student at the University of Memphis, which have shaped me into the renaissance man I am today. I cannot wait to give back to the community and serve others through my unique character and original dance moves. Go Tigers Go!”

Ready to take the next step toward your future?

From excelling academically to honing his unique breakdancing skills, Payton embodies the University’s commitment to nurturing well-rounded leaders. Programs like First Scholars have empowered students like Payton to thrive and give back to their communities. Click here to learn more about The University of Memphis and start your journey today!

The post Meet Payton Willis: Dreams and Determination Paving the Way for Success appeared first on We Are Memphis.

The University of Memphis has always been deeply connected to the heartbeat of its city and highlights the stories of individuals who embody Tiger pride and the spirit of perseverance. One such story is that of Ariday Acosta, a first-generation college graduate who transformed her dreams into reality with the help of the University of Memphis.

Through the support of the Office of First-Generation Student Success and the Equal Chance for Education (ECE) scholarship, she not only overcame these obstacles but also flourished as a leader, advocate, and inspiration to her peers. Her journey speaks to the transformative opportunities the University of Memphis provides for its students—opportunities grounded in mentorship, community, and a commitment to helping every student succeed.

Ariday’s story reminds us all that Memphis is a city where dreams are nurtured and barriers are broken. Read on to discover how the University of Memphis helped her pave the way for a brighter future and why it remains a beacon of opportunity!

Meet Ariday Acosta

“Coming from a household where neither of my parents attended college and both moved from their home country to the United States, higher education had always been my goal. The University of Memphis gave me the opportunity to pursue that dream. Through the Office of First-Generation Student Success, a scholarship helped me attend the University of Memphis. Equal Chance for Education (ECE), a nonprofit organization based in Nashville, Tennessee, offers scholarships to thousands of undocumented students who wish to attend university. Without this program and the University of Memphis, I wouldn’t have been able to walk across the stage at graduation.

As the second child to attend university, my experience was different from my sister’s. I became the first child to move away from home, and as a first-generation student, I faced many obstacles on my own. Moving 79 miles away from home, I had to navigate a new city I was unfamiliar with, guide myself through college courses, question my own self-worth, and take the next step in life on my own. I grew up in a household where education was always highly valued, and as a straight-A student most of my life, college really challenged how I viewed myself in higher education. There were moments when I struggled with whether I was in the right major and pursuing the right degree. When everything felt impossible, I knew I could rely on the Office of First-Generation Student Success.

Without the mentorship of Jacki Rodriguez, many of the challenges I faced would have been even harder to overcome. Jacki Rodriguez, the Director of the Office of First-Generation Student Success, has helped me understand my purpose from the moment I committed to the University. I meet with her once a month to check in on my progress. Through the program, I was honored to receive the Spirit of the Tiger award two years in a row. Without the support of the program, I wouldn’t have been able to branch out into campus involvement. I became a campus tour guide, the Director of Diversity, Equity, and Inclusion for Alpha Delta Pi, Chapter President of Alpha Delta Pi, Vice President of Diversity, Equity, and Inclusion for the Panhellenic Council, Vice President of Order of Omega, and a Frosh Camp Counselor. Campus involvement has played a key role in shaping who I am today.

To all the undocumented, first-generation students out there wondering if higher education is possible, take it from me: it is possible. Although the next step in life may feel uncertain, continue to push yourself beyond those “impossible” limits. I want to leave behind a legacy at the University of Memphis that shows that, even though first-generation students are often seen as unlikely to finish school, it’s okay if it takes time. Keep pushing yourself to achieve what others might doubt you can do. As my dad always says, ” Yo Soy, Yo Puedo, es facil, y lo voy a lograr” (I am, I can, it’s easy, and I will achieve it).”

Ready to take the next step toward your future?

The University of Memphis offers endless opportunities to help you succeed, whether you’re a first-generation student, an aspiring entrepreneur, or someone looking to join a vibrant and supportive community. From life-changing mentorship to hands-on learning experiences, the UofM is here to help you achieve your dreams. Click here to learn more about The University of Memphis and start your journey today!

The post Meet Ariday Acosta: A Trailblazer and Advocate for First-Generation Students appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Tara M. Stringfellow

Tara M. Stringfellow is a former attorney, Northwestern University MFA graduate, and two-time Pushcart Prize nominee whose debut noveland national bestseller Memphis was a Read with Jenna pick and longlisted for the Women’s Prize in Fiction. A cross-genre artist, the author was Northwestern University’s first MFA graduate in both poetry and prose and her work has appeared in Collective Unrest, Jet Fuel Review, Minerva Rising, Women’s Arts Quarterly and Apogee Journal, among others. After having lived in Okinawa, Ghana, Chicago, Cuba, Spain, Italy, and Washington, D.C., she moved back home to Memphis, where she sits on her porch swing every evening with her hound, Huckleberry, listening to records and chatting with neighbors.

Tara’s Favorite Places to Write

Novel Bookstore in East Memphis.
Another great writing spot for me is Novel Bookstore, mostly because they are the only bookstore I know that have a restaurant, Libro, inside. I sign copies of my novel Memphis and my poetry collection Magic Enuff as I sit at the bar and write. They’ve got a delicious brunch. It’s also lovely to write being surrounded by books; I usually leave with a new novel. And the amazing staff have always supported me as a new novelist. Novel feels more like home to me than a bookstore and I cannot recommend visiting this Memphis spot enough.

Caption by Hyatt in Downtown Memphis
This hotel lobby is gorgeous, filled with lots of light, making the bar space and surrounding tables a perfect place to write for hours. And a plus, there’s often live music in the lobby. I’ve seen Jeremy Stanfill swoon a crowd. I highly recommend this downtown spot that’s both chic and Southern down to earth at the same time. 

In Memphis, soul is woven into the fabric of everyday life, and people like Tara M. Stringfellow remind us why this city’s spirit is so special. Memphians draw from the city’s unique blend of warmth, creativity, and resilience. It’s this same energy that fuels our stories, drives innovation, and encourages connection. As we continue to celebrate the faces and places that make Memphis extraordinary, we invite you to discover your own soulful experiences and share in the pride of our community. Keep an eye out for more stories that showcase how we all bring our soul to the city we love!

The post Author Tara M. Stringfellow’s Favorite Places to Write In Memphis appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Kathryn Hicks

Kathryn Hicks is the Chief of Games and Technology for Baron Von Opperbean and The River of Time, an immersive XR adventure coming to Mud Island. As the founder of Creature Studio, Kathryn specializes in character-driven extended reality (XR) experiences. With a background in AR and VR, she has worked on notable projects like HBO’s House of the Dragon Snapchat campaign. Her passion for storytelling, game design, and community-focused projects has made her a leader in Memphis’ immersive entertainment scene.

What are your top 3 places you love to visit in Memphis? 

• South Main Arts District: I’m drawn to the Central Station Hotel, Bishop’s Door [ my favorite door ], and Arrive Hotel. I frequently hit up coffee spots like Hustle & Dough in Arrive Hotel and Dr. Beans. While I miss the old Puck Food Hall during Trolley Nights, I’m pumped about new developments like the upcoming Level Up Memphis a gaming speakeasy bar. 

• Commonwealth Building area: The Landis Blair illustration area in the Commonwealth Building is a hidden gem, and Boycott Coffee is a favorite of mine. The architecture in this area, including the YMCA, Commonwealth, and Sterrick buildings, is simply stunning. 

• Crosstown Concourse: I tend to gravitate towards this place when I want to get out of the house. There’s always something happening on weekends, from events to art galleries. The Art Bar is particularly magical – it’s like stepping into one of those enchanted, expansive tents from Harry Potter. 

Honorable mentions: 

• Bog & Barley: This Irish restaurant has incredible interior design, attention to detail, and delicious food. It’s a treat every time I come in. 

• Broad Avenue and Cooper-Young: These areas hold a special place in my heart. Broad Avenue brings back fond memories of my undergrad days at River Arts Fest. I like going to spots like Sugar Ghost, City & State coffee, and more. Cooper-Young has its own unique charm that keeps drawing me back. 

How does Memphis as a city inspire you or impact the work that you do? 

Memphis’s vibrant art, tech, and entrepreneurship scenes significantly influence my work. Places like Epicenter are hotbeds of innovation that constantly inspire me. The HungryTigerFoodClub, led by SunAh Laybourn, fuels my creativity through culinary adventures. My experiences here, from college through freelancing and game jams to my current startup, have shaped my growth tremendously. 

The local coffee culture, particularly events like Edible Memphis’s Iced Coffee ChampionSip in July, has been a springboard for my tech experiments with AI. While this year will be the last year doing those experiments, you will see a lot of innovation through my two startups. 

What are you most excited to see happening in Memphis now? 

Without a doubt, it’s the Mud Island project I’m working on: Baron Von Opperbean and the River of Time [ BVO ], led by visionary Christopher Reyes. This immersive experience aims to put Memphis on the map alongside Disney World and Universal Studios but minus the rides. Instead of rides, visitors become part of a living, breathing story – like stepping into a real-life video game, with deep lore and choose-your-own-adventure elements plus a playground. It’s set to showcase Memphis as a pioneer in cutting-edge, immersive entertainment. 

Is there another Memphian who has inspired you, impacted the work that you do, or who you’d like to shout out? 

Rather than a specific individual, it’s the collective spirit of Memphis that inspires me. The environment, the people, and the various communities – especially the food and coffee scenes – all contribute to my inspiration. The coffee community, in particular, has been a significant source of motivation and creativity. 

How do you hope to inspire change in Memphis? 

BVO is poised to be a game-changer for Memphis. It’s not just an entertainment venue; it’s a catalyst for growth and opportunity across multiple communities, particularly for people of color and those in the creative and tech sectors. By fusing art, technology, and storytelling, we’re creating something that will have a lasting, positive impact on the city and its people. We’re taking the most captivating elements from world-class immersive experiences and reimagining them into something uniquely Memphis. This innovative approach will not only put our city on the map but also redefine what’s possible in interactive entertainment. 

The post Bring Your Soul: Kathryn Hicks appeared first on We Are Memphis.

Here in Memphis, you can find lively artwork in just about every corner of the city, and that’s thanks to the creativity and talent displayed by people like @diablit0e, or Daniela Trejo Chavez. Daniela is a local artist who focuses on painting, printmaking, and ceramics and is a University of ​Memphis alum with a BFA in Studio Arts. ​Daniela describes their work as “vibrant, ​whimsical, and inspired from their own ​cultural background.” This article explores some of the ways Daniela is influenced by the local culture, loved ones, and their roots.

Q: How has Memphis influenced your creative process and the way you express your cultural heritage in your work?

Daniela: Memphis is such a diverse place, and being able to represent my roots and background in my work fuels my creativity. Whether… through painting, textiles, or ceramics, my work uses symbolism and vibrant colors that I feel represent my Mexican roots. Elements like the sun, nopales, La Muerte, and scorpions often appear in my work, each translated into various mediums to celebrate and honor my cultural background. The inspiration I draw from my community—whether it’s through music, food, or art—provides a constant spark of motivation for me to create.

Q: Share a story about a memorable experience or collaboration you’ve had with other Memphis-based artists or entrepreneurs.

Daniela: Last…summer, my friend Cesar B Diaz (@kid_mestizo) curated an art show called “Construcción: Una Exposición Colectiva.” It was an art show that was truly eye-opening; it highlighted themes of migration and dignity. “From an anthology perspective, each migrant seeks to build a future, primarily striving for a “dignified” existence for themselves and their families, without forgetting that in order to establish themselves in another country, they had to leave everything behind and start from scratch.” A story many of us are very familiar with. As a participating artist in the show, I was able to communicate with people within my community who were able to connect with my work – people who felt what I felt. [In] doing so, I was overcome by many emotions because I’ve never connected with anyone on such a deep level! After that show, I was just hit with a lot of inspiration and drive to keep pushing forward and to keep creating because that made me feel good, not only about my work but also the moments I created with people through my work. The show was a success, and I’m glad I was able to form bonds and friendships within! And I’m glad [to] this day we are all pushing forth in our artistic journeys together! 

Q: In what ways has the Memphis community supported or shaped your journey?

Daniela: Being able to surround myself with creative people… has been an essential key [to] growing as an artist artistically.  You need that community space, especially in the arts, to be able to spit ideas out, collaborate with each other, share resources, and grow together. Sometimes, achieving your goals alone can be challenging, and having a supportive network can make all the difference. Thanks to David Yancy, he has created a space at Ink Therapy for creatives to get together and collaborate! The Clandestine Creative Club has been around for about two years, and it [has] been a tremendous help for creatives and beginning artists in Memphis to be able to network with one another as well as form a safe space and creative outlet for people who just want to hang out and create! 

Q: What advice would you give to other creatives and entrepreneurs looking to make their mark in Memphis?

Daniela: First things first, you have to make ugly art to make your best works. Not everything you make will be perfect, and that’s okay. Keep the ball rolling; that idea will lead you to the next and to the next and to the next one, etc. Don’t stop creating, and be yourself! Remember to always make art enjoyable! ART IS SUBJECTIVE[!] DO WHATEVER YOUR HEART DESIRES!

You can catch Daniela at the upcoming Por Vida Fest on September 21 at the 495 N. Hollywood Street parking lot at 5:00 PM. It’s free and will feature local DJs and vendors for a celebration of life.

The post Hispanic and Latin Heritage Month Spotlight: Local Artist Daniela Trejo Chavez appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Dr. Wigginton

Dr. Russell Wigginton, the President of the National Civil Rights Museum, has a deep connection with the city of Memphis. Beyond his role at the museum, his love for the city’s vibrant energy and culture is rooted in the authenticity of its people, the places he visits, and the inspirations he draws from fellow Memphians. His perspective on Memphis is more than just about its landmarks; it’s about its soul.

When asked about his favorite places in Memphis, Dr. Wigginton’s picks are personal yet universal to anyone who appreciates the city’s charm. Among his top choices are Overton Square and Overton Park, a lively district blending nature, art, and entertainment, and Café Eclectic, a beloved spot for locals to unwind over coffee and community. These places represent more than just locations—they embody the character of Memphis, a city rich in history and brimming with creativity. Overton Park offers a lush green retreat, while Overton Square is a vibrant center for culture, dining, and nightlife, bringing people together from all walks of life.

But it’s the people of Memphis who make the city truly special for Dr. Wigginton. He speaks of the authenticity and resilience of Memphians as the driving force behind his work and his passion for being an ambassador for the city. The people here shape the culture, and their genuine, down-to-earth nature inspires him to showcase Memphis’ many virtues to the world. For Dr. Wigginton, the city’s heart lies in its community, a collective spirit that fuels his dedication to the National Civil Rights Museum.

Dr. Wigginton is particularly excited about the deeper collective reckoning happening in Memphis today. He sees a growing movement toward addressing social and economic inequalities and uplifting the least privileged in the city. This, he believes, is essential for Memphis to truly thrive. He echoes the words of Dr. Martin Luther King Jr., reminding us that to create a prosperous future, we must commit to elevating everyone, particularly those who have been historically marginalized. This shift towards social justice and equality is a positive step that makes Dr. Wigginton optimistic about the city’s future.

In reflecting on those who have inspired him, Dr. Wigginton speaks with reverence about Maxine Smith, a civil rights leader who passed in 2013. Smith’s tireless work for justice and equality left an indelible mark on the city, and her legacy continues to influence Dr. Wigginton’s work today. A portrait of Maxine Smith hangs near his office, reminding him daily of the importance of advocating for real opportunities for all Memphians to reach their full potential.

As the leader of the National Civil Rights Museum, Dr. Wigginton envisions the museum as a space not only for reflection but also for action. His hope is that every Memphian feels a sense of belonging at the museum, using it as a source of inspiration and a catalyst for finding real solutions to the challenges the city faces. He believes that by embracing its history and learning from its past, Memphis can continue to grow and thrive as a city of inclusion, justice, and opportunity for all.

Through his love of Memphis, Dr. Wigginton’s work at the museum, and his belief in the power of community, he is helping to shape a future where everyone can find their place in this vibrant, soulful city.

The post BRING YOUR SOUL: Exploring Memphis with Dr. Russell Wigginton appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet CHEF MO

Chef Monique Williams is a celebrated Memphis-based chef known for her creative take on Southern cuisine as the brilliant mind behind Biscuits and Jams! She has built a reputation for her innovative dishes that honor Memphis’ rich culinary heritage while pushing the boundaries of traditional Southern cooking. Chef Mo has been featured across the city and country and her expertise and vibrant personality have made her a prominent figure in Memphis’ thriving food scene.

What are your top 3 local people, places, things, or organizations?

Epicenter is one of my favorite non-profits in Memphis. It provides so much support for new and growing businesses. It has truly been a godsend for people in the food industry.  Feast & Graze (Cristina McCarter) at the Brooks Museum.  Great food, amazing exhibits, and awesome music on Thursdays. Dos Hermanos (Chef Eli Townsend) at the Cossitt Library…those Salmon Croquettes on Thursdays are everything as well as the Tiny Kitchen concerts. 

How does Memphis as a city inspire you or impact the work that you do? 

I grew up in the Rozelle-Annesdale area of Memphis and it was full of community and love. Biscuits & Jams is a representation of that for me. As a local restaurateur, I strive to hire people from the community, mentor people with the vision of owning their own restaurant or small business as well as be a light in Downtown Memphis. 

What are you most excited to see happening in Memphis? 

 I am excited to see the growth and the revitalization of the downtown area between Madison and Jefferson.  

Is there another Memphian who has inspired you, impacted the work that you do, or who you’d like to shout out? 

Luis Toro of City and State and the former owner of The Liquor Store. When I first opened up Biscuits & Jams, Luis helped me so much with figuring things out. He will always be one of my favorite people. See you soon Luis!! 

How do you hope to inspire change in Memphis?  

By being an active member in our community…creating jobs, mentoring, and making myself available to push Memphis forward in a positive way. 

The post Bring Your Soul – Chef Monique williams appeared first on We Are Memphis.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you’re seeing your fellow Memphians’ faces across the city, you’re seeing a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet DJ Alpha Whiskey

Memphis is a city with soul, and no one knows how to tap into that energy better than DJ Alpha Whiskey. As one of the city’s top DJs, she’s not just about spinning tracks—she’s all about connecting with Memphis on a deeper level. In this article, DJ Alpha Whiskey shares her favorite ways to experience the heart of Memphis, from hidden gems in the local music scene to the best spots for soaking in the city’s rich culture. Get ready to discover Memphis through the eyes (and ears) of a true local legend!

What are your top 3 places you love to visit in Memphis?
Aww man I know you said 3 but I have 5 places that I always recommend. They are my favorite places in the city and never let me down! Central Station Hotel, Hive Bagel & Deli, Andalusia, Sage, MBABAZI House of Style. 

How does Memphis as a city inspire you or impact the work that you do? 
Memphis is a city with a tremendous amount of soul and rich history. The musical legacy here is known around the world and it fuels creativity and passion in various forms. For someone like me who loves music and creativity , I am in my happy place. I am able to share my wonderful experiences and knowledge with people from all around the world when I travel to DJ. Also as an Air Traffic Controller I can literally say that we “Move the World” in Memphis because of FedEx and its international flights, delivering packages all over the world. We make sure those FedEx planes get in and out of Memphis safely, efficiently and expeditiously. 

What are you most excited to see happening in Memphis now?
I’m excited that our new Mayor Paul Young has been working hard to improve the city. That includes decreasing crime, improving our infrastructure, and investing in the youth. It takes time to build a better future , and I believe we are headed in the right direction . 

Is there another Memphian who has inspired you, impacted the work that you do, or who you’d like to shout out?
I have a few Memphians to shout out : Jared JB Boyd, DJ Crystal Mercedes, Jana Mitchell and Zach Word. These four individuals represent Memphis like no other and inspired me to do the same! 

How do you hope to inspire change in Memphis?
In addition to making people dance and having a wonderful time while DJing I have recently started my own nonprofit organization, Enlightened Leaders Initiative that will foster future leaders through STEM education, Agriculture , Leadership , Music, and Aerospace education nurturing well-rounded, innovative minds for a dynamic world. My purpose  is  work within the community to inspire youth to achieve their goals and dreams. 

The post Bring Your Soul – DJ Alpha Whiskey appeared first on We Are Memphis.

For those who call it home, Memphis is defined by its soul—a deep, vibrant energy that weaves through every aspect of life here.

This is a city where kindness and generosity run deep. Memphians come together through countless non-profit initiatives, community gardens, and collective action, believing in the power of working together to build something greater. This spirit of generosity also reflects Memphis’s long-standing commitment to justice and equality. The city’s history is marked by a determination to fight for a brighter future, not just for itself but for the world at large.

But Memphis isn’t just about heart; it’s a city driven by innovation and a relentless thirst for knowledge. Constantly reinventing itself, Memphis pushes boundaries and explores new possibilities, embodying a dynamic energy that propels it forward.

The people of Memphis are dreamers, fueled by the city’s expansive possibilities. Whether it’s the brand new entrepreneur launching their first business or the artists leading their first exhibition Memphis is a place where dreams take flight. This spirit is embedded in the city’s soul, where the collective hopes and ambitions of its residents create a unique and inspiring environment.

Living in Memphis means being part of a vibrant, interconnected community. Each person contributes to the city’s story, reflecting the diverse and colorful soul of Memphis. This journey into the heart of the city reveals how Memphians connect with their surroundings through food, music, fitness, and more. The familiar faces on billboards across town remind us of the community’s shared identity and the special bond that makes Memphis truly unique.

In Memphis, soul isn’t just something you feel—it’s how we live.

Whether through small acts of kindness, big dreams, or a constant drive to innovate, the soul of Memphis is the essence of what makes this city extraordinary. It’s a place where the past, present, and future converge, creating a vibrant tapestry of life that continues to evolve and inspire.

We Are Memphis is dedicated to celebrating the creativity and resilience of our city. We invite you to share your stories, artwork, or music by connecting and tagging us on social media using @wearememphistn and #bringyoursoul.

By joining our movement, you’re helping to amplify the unique spirit of Memphis and contribute to the vibrant culture that makes our city extraordinary. Let’s work together to showcase what makes Memphis so special!

#BringYourSoul!

The post Bring Your Soul! appeared first on We Are Memphis.

She began her cosmetology journey during college with her own YouTube channel, where she shared about her hair, makeup, and lifestyle under the Mia’s Mane brand. In 2019, however, she decided to pursue this venture full-time by enrolling in a cosmetology school. Within 11 months, she graduated as a licensed cosmetologist and has grown her client list exponentially over the past 4 years.

On August 3rd, Amia held a free Back to School Cuts and Curls event for children and their parents. Kids received a new haircut or silk press and a backpack filled with school supplies for the upcoming school year. 

As for what inspired this giveaway, Amia said, “I’ve always wanted to give back to my community, and God gave me the idea to use my talents to help out where I can. My husband and I are both licensed professionals, so it was only right to cater to our youth to help make them feel confident for their first day of school. Not only to help the children, but their parents as well. We filled the backpacks with as [many] supplies as we could with the donations that we’ve received, and we hope it can lighten the load for many!”

Outside of offering natural hair and luxury extensions at her salon, Amia also provides one-on-one business coaching through the “Mia’s Mane Method” to help other women or entrepreneurs get started on their own cosmetology careers through marketing, microlinks courses, and more.

You can check out her website to schedule an appointment or follow her on Instagram to stay up to date on her journey.

The post Spotlight on Amia McKinney of Mia’s Mane appeared first on We Are Memphis.

Photos by Shane Smith

Lukah, the South Memphis rapper with a rapidly growing profile, seems to take the idiom “strike while the iron’s hot” as a personal mantra, releasing an astounding 5 full-length albums over the past three years. “I want to see a change in the way that hip-hop has been trending. There’s a lack of balance right now, and I’m driven to help bring that back. People’s attention spans are so fucking short, you’re almost forced to keep going and going and going. I have a lot of shit in my head that I just have to get out.”

Lukah (born Timothy Love Jr.) is certainly an anomaly in today’s rap scene, an old soul with a sound that harkens back to hip-hop’s vaunted “Golden Age.” Raised in a deeply musical family of women, Lukah seemed prime for a life in entertainment from the beginning. “Everybody had their talent in my house and there was always music playing-Michael Jackson, Prince, the Temptation, Al Green-I grew up listening to everything, and I first got into music by singing.” Rapping came soon after, and there was no turning back. “I remember I was at a sock hop in elementary school and Crucial Conflict’s ‘Hay’ came on. I saw the way that we all reacted and I said to myself ‘I want to do this.’”

In addition to his musical upbringing, Lukah was also surrounded by family members with radical and revolutionary political beliefs, a fact that should be unsurprising to anyone familiar with his art. “My grandfather is an influential community activist and an advocate for Black people, but I was also raised in a neighborhood where I was exposed to the trials and tribulations of the streets. I say it best in a song… ‘all my life I was torn between gangsters and freedom fighters.’ I grew up in a loving family, but once I was off the porch, I was on my own.”

In middle school, Lukah briefly relocated to Chicago to live with his aunt and uncle. It was there that he first began to really dig into the rich history of hip-hop. “My uncle told me ‘if you’re really serious about this rap thing, then you need to learn where this shit came from, where it’s going, and where it’s at.’” Nas and his unparalleled ability for observational street narratives became especially influential and provided a blueprint for the type of music that Lukah hoped to one day make. “His words and storytelling really spoke to me, man. It’s like ‘this guy is me, I’m just in Memphis.’”

All of these factors–musical, political, and societal–all play key roles in Lukah’s ever-expanding discography, perhaps most notably on last year’s excellent Permanently Blackface (The 1st Expression), a bleakly honest concept album focused on systemic racism and its many grotesque iterations. “At its core, all my music is about breaking the chains of this passed-down trauma and bringing awareness to not just Black people, but white people as well. Because of our shared history in this goddamn country, it’s very hard to get over shit and move forward. Whether that’s right or wrong, I’m not sure, but it’s true and deserves to be discussed.”

Just six months later, the prolific rapper is back with Temple Needs Water. Village Needs Peace. As with all of his albums, the title gives you a clear indication of its underlying themes and concept. “I think the title is relatively self-explanatory, but there are some double entendres there as well. For example, temple can mean body, while water represents knowledge. I came up with that because I genuinely feel that that’s what the world needs at this time.” Produced entirely by L.A.’s Real Bad Man, a kindred hip-hop classicist who was first connected to Lukah from their mutual collaborator Boldy James, Temple Needs Water. Village Needs Peace. is in many ways a response to the embittered and dark Permanently Blackface. 

“It’s largely about people getting back to the roots of nature and realizing what a gift the earth is, and how much you can learn by reconnecting. I’ve been thinking a lot about the circle of life, which of course includes death. My favorite song is called ‘Burial,’ which features Talibah Safiya, and it’s about burying my old self. There’s a line on there where I say ‘this is my higher self, I put the lower in the burial/ Beautiful ceremonial, on to the next embryo.’ As we talked about earlier, that line is really about trying to bury the fucked-up trauma so as not to pass it down to my kids,” he says. 

In this season of rebirth and renewal, it’s a welcomed sentiment and yet another example of the artist’s depth and wisdom. “This project is about the community, or the village. As long as you offer something–and I’m not talking about money–but whatever it is you can bring to the table, you’re welcome to participate and help this thing thrive.”

Temple Needs Water. Village Needs Peace. will be available for streaming on March 29th. Physical copies are expected to be released sometime after. Follow https://lukah.bandcamp.com for more information.

The post On New Album “Temple Needs Water. Village Needs Peace,” Memphis Rapper Lukah Finds Peace Through Nature and Community appeared first on We Are Memphis.

In our city, “soul” isn’t just a word. It’s a feeling, it’s a movement, it’s a vibe. As Memphians, we wear soul with pride. Our city isn’t just the birthplace of musical icons or the city where food, music, and culture come to life.

Our city’s soul is described by generosity that knows no bounds and the thousands of Memphians building community with each other on the daily. It’s the activism that’s stirring in our hearts, pushing each other and the world to see better and do better. It’s in the limitless innovation fueling insatiable curiosity and so, so much more. Memphis has always been a place of big hearts and even bigger ideas, where the spirit of soul finds its home. So, when you see your fellow Memphians’ faces across the city, you see a mirror reflecting our collective pride.

We’ll be sharing stories of how your fellow Memphians connect with our city through food, fitness, music, and so much more! Be sure to keep an eye out for billboards across the city featuring some familiar faces!

Meet Meka Egwuekwe

Raised in South Memphis, Meka explored computer programming on his own and, after recognizing the transformative power of technology in his own life,  committed himself to paving the way for people of color in computer science education, starting right here in the city. He helped bring the nonprofit CodeCrew to life in 2015, has influenced over 10,000 K-12 and adult students, and championed computer science education legislation–impacting over one million kids in Tennessee.

About Code Crew

CodeCrew is actively transforming Memphis through programs that instill students with the fundamentals of information and computation. Their curriculum delves into understanding digital systems and equips students with the skills to apply this knowledge through programming and software development concepts. The organization’s offerings encompass diverse initiatives, including summer camps, after-school programs, in-school elective classes, internships, and special events.

Since its beginning, CodeCrew has empowered over 11,800 students to code through a variety of channels, including summer camps, after-school programs, in-school electives, and exposure events. With a focus on inclusivity, 92% of the 800 students served weekly are black and Latino youth, 44% are female coders, and, overall, 85% of students are more likely to pursue computer science studies. Impressively, 79% of CodeCrew students write their first line of code through the organization’s initiatives!

The post My City, My Soul – Meka Egwuekwe appeared first on We Are Memphis.

Photos by Gabrielle Duffie

Imagine you’re standing shirtless and blindfolded in the middle of a busy college campus. You’re surrounded by cans of paint and you ask those who pass by to stop and paint something, anything, on your actual body. No, this isn’t some drunken dare or Greek life hazing ritual. Instead, you’re there on your own freewill to try and do something much scarier: encourage people to be vulnerable.

That’s the idea behind musician Aaron James’ new project, “Paint What You Feel.” With this, James pivots from his traditional role behind his guitar and instead takes on a new role as a human canvas. “My songs represent a lot of themes of self-discovery and the importance of telling those stories,” he explains. “The paint kind of represents the parts of me I haven’t discovered yet, but there’s always parts left to uncover. So, the idea was to get other people to tell their stories and be vulnerable about things about themselves or how they’re feeling through painting on me.”

Paint as self-expression isn’t new to James. If you’re familiar with his live show, he has always performed with streaks of paint on his face and body. He admits that initially he did this to create an onstage persona (and truthfully, to help with a little stage fright). Eventually the body art and his music became intrinsically tied. “Honestly when I released my very first songs, there was a woman who, just for promo of the songs, would work with me to do different body paint type stuff. We painted something to represent each song. It was from there that I had the idea that I could do this all the time and it could really mean something to myself and others.”

It was before the 2016 election that James first set out to try his ‘paint what you feel’ idea in real life with real people. “There was a lot on people’s hearts at the time, so people wanted to get a lot out,” he recalls. “I stand there and I don’t speak, but I can still hear obviously. I just heard a lot of very positive things from those that participated. It definitely made people feel good.”

Despite the glimpse of success the project had, James’ focus shifted back to just writing and creating his own music. He released a handful of beautiful singles and stunning EPs, set out on a solo tour, and collaborated with his Unapologetic labelmates and other local musicians. It wasn’t until many years later that James would bring the project back at a Trolly Night in downtown Memphis. There, he once again stood blindfolded and shirtless, armed with cans of paint, and asked those that passed to stop and paint something on him. And, once again, the impact was overwhelmingly positive. “Eventually it became, like, oh maybe there’s a bigger idea here. We can turn it into something more, like a documentary sort of thing.”

And that’s exactly what he did. Earlier this year, James embarked on a college campus tour for the project. Holding a sign that says “I am a product of you. Paint what you feel,” he physically became an outlet for students’ thoughts and feelings. Sometimes the contributions would be as fun and unassuming as a heart or a smiley face. Other times, there’d be deeper messages of kindness and encouragement written, most likely just as needed by the next participant as it was by the author themselves.

On campus, he was joined by collaborators (and Unapologetic producers) CmaJor and Eillo, who helped conduct interviews with participants after. “CmaJor would pull people aside and ask things like ‘what did you paint or why did you paint that?’,” James says. He’d also asks more intense questions about vulnerability, like is it hard for the painter to be vulnerable and why. These questions were asked with the idea that hopefully one person expressing themselves or sharing what they’re going through is going to help somebody else in a similar position. And for the most part, this has been resoundingly true.

“There have been several times where,” James starts to tell me then stops. He shakes his head almost in disbelief and smiles widely before he continues. “This is one of my favorite moments, where conversations will start among strangers who are both painting on me. Maybe one of them painted or wrote about something they were stressed about. Then the other will look at it and ask them, ‘hey, what do you have going on right now?’ and that person will just start opening up to a complete stranger. I hear them talk to each other about it and sort of like, console each other. It’s special,” he states. 

This type of interaction lies at the heart of the project’s mission, the true why behind it all. James speaks at length about the braveness of vulnerability and the importance of being unapologetically yourself, and these ideas are all essential to “Paint What You Feel”. But at the crux of it, this project shows the power of connection. Not an Instagram like or a retweet. Not a Facebook post or choreographed Tik-Tok dance. Real, genuine connection where people feel heard and seen; where people feel validated and supported. I mean, it’s 2023 and the world is going to shit. The least we can do is give a fuck about each other, right?

“I want people to not get lost in all the noise. I want people to slow down and take moments to check in with themselves and others. To be honest with themselves and ask themselves how they’re really feeling,” James explains when I ask him what he wants viewers to take away from the documentary. “I think the more you can understand about yourself and share those understandings, the more people can relate to you and the more connected we’ll all feel.” It’s an ambitious sentiment, but one that seems entirely plausible when you see what James has already accomplished with the project.

Just because James has wrapped the project for now, it doesn’t mean that this is the end. In fact, he looks at it as only the beginning of something he hopes to continue doing in new locations and with new people and stories. “Everyone has a unique and special story. Just because your life and your existence is unique doesn’t mean that nobody else can relate to it in some way. You’d be surprised at what people connect with. We shouldn’t be intimated by the uniqueness of someone else’s stor,y but inspired by it.” 

The documentary is set to be released at the beginning of 2024.

The post With ‘Paint What You Feel,’ Musician Aaron James Encourages Us to Connect With Ourselves and Each Other appeared first on We Are Memphis.

If you listen to just the first thirty seconds of Moneybagg Yo’s smash hit “Time Today” you notice
something. From the booming production and twinkling synths to the smooth delivery of Bagg’s
braggadocious verses, everything – and I mean every little thing – comes together perfectly. It’s
the musical equivalence of a completed 1,000 piece jigsaw puzzle where every piece has a
place and more importantly, a purpose.

This is no happy accident. In the same way the puzzle does not just build itself, songs don’t
magically build themselves either. It takes people who, somehow, simultaneously possess both
a grandiose vision and a meticulous ear for detail to transform the rough cuts of songs into the
version we hear on our Spotify. The words good or great do not exist in their vocabulary – in
fact, saying something is “good enough” would probably get you kicked out of their studio.
These creatives strive for perfection and work relentlessly until they achieve it.
Welcome to the world of mixing and engineering.

“They couldn’t get me to leave the studio. I was the intern that wasn’t going to leave until the
lights were turned off that night. Everyone had to leave before I was ready to leave because I
didn’t want to miss anything,” explains mixer/engineer/producer Ari Morris. “I felt like anytime I
was out of the studio I had FOMO. Like, I wasn’t there and Rick Ross came by? What am I
doing not being here? You couldn’t get rid of me. I was at the studio every single day, all day.”
It’s this mentality that’s earned Morris his 65x gold and multi-platinum status and cemented him
as the go-to mixer for some of the biggest names in hip-hop today. He’s worked with artists like
Young Dolph, Future, Key Glock, Lil Durk, Royce da 5’9”, Moneybagg Yo (yea, that’s his work
on “Time Today”), Migos, and GloRilla among MANY others. His work mixing Moneybagg’s
vocals on Mary J. Blige’s Good Morning Gorgeous earned him a Grammy nomination.

If you ask Morris if there’s a so-called science behind his success, you’ll be met with a pause
and then a smirk. “I don’t think I’m good enough to do the same thing twice. I don’t think I’m
good enough at what I do to execute the same thing over and over again,” he says humbly. It’s
clear there is no formula to his talent. It’s innate to Morris, a feeling he has that’s tangible but
unquantifiable. “Art is going to get its wings and find itself and then once it finds itself, it
becomes its own unique thing. So, when people say, ‘I want something to sound like this,’ I
shrug and say ‘ok’ because nothing is going to ever sound exactly the same. At least not with
me. I don’t know that magic trick yet but if someone out there reading this does, teach me it,“ he
laughs.

This sentiment is only further emphasized when you see him at work. From the outside his
studio looks incredibly nondescript, tucked away on a seemingly hidden street in Memphis. But
when you walk in you’re transported to a place where time and reality feel nonexistent and the
only thing that matters is what goes into that mic and out those speakers. Simply put, you get
the feeling that if you’re not here to do real work, you can get the fuck out…respectfully.

“The only way to get ahead in music is to be around,” Morris explains. “If you’re an engineer, the
more you’re in the studio the more things are going to happen. I was taught very early in my
career that every time you walk into a studio it has the potential to change your life that day.”
This grind is partly who Ari naturally is, and partly where Ari’s been. He went to school for
recording engineering and simultaneously started interning at Young Avenue Sound in
Memphis. During this time, he worked for industry heavyweights like Skip McQuinn and Nil
Jones who took him under their wing and showed him the ropes. He quickly worked his way up
from an intern to being the engineer that everyone was calling to work with.

It was then that Morris realized he wasn’t just following a passion, he was building a career. As
in demand as he was at Young Ave, he was equally as sought after outside the studio. The
transition to branching out on his own happened organically and with the support of his mentors.
“I was lucky enough to apprentice under people who wanted to see me grow and wanted to see
me win,” Morris explains. “As my career took flight, I started getting calls to travel and work on
the road, and the people I learned under encouraged it. Once I started moving I didn't stop.”
It was around this time that he began working with a young, local rapper who was starting to
launch their own career. The rapper was Young Dolph. “He just started booking studio time at
Young Ave and I got put on the sessions,” Morris says. “We ended up catching a vibe and
before I was even out of school I was working on records with him.”

When Morris talks about their time working together, you can see why he and Dolph had such a
strong relationship. They both knew exactly what they wanted to create or achieve, but also
agreed there were no rules in doing so. To illustrate this shared mindset, Morris shares a story
about their time working together on King of Memphis.

“He walks in on Saturday and says he wants us to put his debut album together. I was like ‘Sick!
When is it coming out?’ and he’s like ‘It’s coming out on Friday.’ I was like ‘Ok…what songs are
we working on?” and he says, ‘We’re about to do them now my boy.’” Morris remembers
laughing. “We’d leave the studio at 7 in the morning and I’d get a text from him at like 11 a.m.
that he was ready to go back. So, we went back to the studio and worked until 7 a.m. again.
That really showed me there are no rules to art.”

As pivotal as his mentors and this time with Young Dolph was, Morris also credits two other
artists he’s worked with that helped form how he makes music: Macy Gray and Royce da 5’9”.
“Very early in my career getting to watch Macy Gray cut vocals reshaped my entire theory on
recording in general because she did not think in the studio at all, she just did. She just
performs,” Morris recalls. “Then working with Royce, I was like oh wow he never settles. He will
just beat the idea until it’s exactly what he wants it to be.”

In 2019, Ari flew to Detroit to work on Royce’s eighth studio album, The Allegory. The album
earned Royce a Grammy nomination for Best Rap Album, though Morris doesn’t count this as a
personal Grammy nom despite mixing the album in its entirety. “Semantics,” he explains.
“Engineers are not named in genre specific nominations.”

Even though the result of their time together produced a critically acclaimed album, how Morris
even got involved with the project to begin with was rather unconventional. “What’s crazy is that
it was the first job I got from an artist really hating a mix I did,” he states laughing. “I didn’t know
it was a concept album where one song flowed into the next. I was just given this one song; I
didn’t hear any of the other material. The song kind of had a trap beat and I just assumed they
wanted me to trap it the fuck out. So, I did.”

Morris, along with legendary producer Carlos Broady (who he credits as another “great mentor
of mine”), sent the track back to Royce. Then Broady played him the rest of the album. “I
listened to it and I just put my head in my hands knowing Royce is going to hate the mix we just
did. Sure enough, he calls Broady and says, ‘Man this mix is terrible,’” Morris recollects. “The
one thing he didn’t hate was how I mixed his vocals so that got me the job. He flew me out to
Detroit to help work on the rest of the album. To this day it’s one of the coolest weeks I’ve ever
spent in the studio.”

Ari has a million stories like this from his career, but it’s evident that right now he’s more focused
on what’s yet to come. As someone who was part of Memphis rap when it was more fringe and
independent back in the mid-late 2010s, Morris brings a unique perspective to the renaissance
Memphis rap is currently having. “All these records – like 2 Federal, King of Memphis, Glock
Season – that I was lucky to be part of at the beginning of my career have created this thing and
now everyone’s taking this thing and running with it,” Morris says. “It’s almost like we made a
new genre. So many people from the city are a part of that. It’s an amazing collective effort
where we’re all seeing the fruits of our labors now.”

When I ask Morris what he makes of all the new art coming out of Memphis, he instantly lights
up. He tells me that the energy in Memphis now is like the energy of a busy studio. “Coming up
we never wanted the studio to be empty, it was never a good vibe. Any time there was dead
time, we would schedule things because it was better for our creative energy if people were
doing dope things around us. As long as there are people making things, the studio feels alive
and the city of Memphis feels alive right now,” Morris explains. “I drive down the street, I see
people making music videos or having photoshoots and that makes me smile so big because
nothing makes me happier than seeing kids making art.”

As for the art Morris is working on himself, he’s equally as excited but a touch more guarded. He
grins and says coyly that some projects he can tell me about, while others he cannot discuss
yet. “I’m working with an artist named b3cca who’s got some very cool and different stuff coming
out. I’m also working on a really incredible project with (Memphis rapper) RUDY. That’s going to
be something special,” he tells me. The rest of his projects are secrets or, in his words, “not my
story to tell yet.”

Truthfully though, it wouldn’t matter who he was working with as long as he was working. It’s
clear that although he’s proud of the accolades and perks his success has brought him, he’s still
most at home in his studio behind the mixing board. While others in his position might be more
concerned about making Tik-Toks or Instagram posts to grow their own following, Morris is too
busy making…well…music.

“To be seen now is a thing,” he explains. “But to me, an engineer is not supposed to be seen,
they’re supposed to be heard. For years, and to this day, I try to let my work speak for itself. You
want to learn about me? Go listen to the records I did – I leave a little piece of myself in
everything I do.”

The post Meet Ari Morris: Your Favorite Rapper’s Favorite Mixer appeared first on We Are Memphis.

When you walk into the main control room of Outerspace, Unapologetic’s studio, you’ll see a sign on the ceiling that in comparison to the rest of the studio, is relatively non-descript. In uppercase plain black text with a few chosen words in color, it reads:

“IN THIS PLACE OUR DIFFERENCES ARE VALUED AND CELEBRATED. WE ARE UNITED UNDERNEATH THE UMBRELLA OF INDIVIDUALITY. HERE IS WHERE VULNERABILITY BECOMES ART & WEIRD BECOMES GENIUS. IF YOU ARE PUSHED HERE, IT WILL BE A PUSH IN YOUR DIRECTION. WE DEFINE US SO SOMEONE ELSE CAN CONFIDENTLY DEFINE THEMSELVES. THIS PLACE WAS CREATED TO HELP YOU GET BETTER. FASTER. WE STAND OUT SIMPLY BECAUSE WE DON’T AIM TO FIT IN. WE DO NOT SEEK VALIDATION IN COMMONALITY. EVEN SEPARATE WE MOVE TOGETHER IN CAUSE AND PRINCIPAL. WELCOME TO UNAPOLOGETIC.”

If you ask Unapologetic founder IMAKEMADBEATS about it, he’ll tell you it’s the mission or the vision of the collective but these words are more than that. They are the very heart, the very bloodline that pumps through every single thing Unapologetic touches. Here you lose the preconceived notions or labels society has given you, and instead are allowed – no, encouraged – to just…be.

It seems like a simple enough idea but in the music industry this is a rarity and this is especially true for women. There’s an unspoken rule in the industry that there are still some places reserved only for men. Where women who manage to get a seat at the table must continuously prove their worthiness to be there. It’s an exhausting mentality, one that is both archaic and idiotic, but yet it exists.

So, when a group like Unapologetic goes against the norm and actually has strong, powerful women helping to build, nurture, and grow their creative endeavors, those women deserve to be celebrated. These are some of the many women of Unapologetic.

The Ladies

For this article, I was lucky enough to speak to a handful of women involved in many different roles:

Nubia Yasin – Unapologetic Artist, Assistant to IMAKEMADBEATS
Ariel D – Social Media, Street Team Manager, Unapologetic Garments
Nakita – Program Manager for Outerspace
Marie – Project Manager for Unapologetic
Uniq – Unapologetic Artist and Producer
Gabby Duffie – Unapologetic Visual, Photographer
Sarai – Unapologetic Visual Artist, Unapologetic Garments, Graphic Designer

The Background

“Unapologetic would not exist if it wasn’t for my wife,” Mad tells me honestly. “I was complaining about things I accomplished or didn’t accomplish yet and how I was disappointed in myself. She told me I was a reluctant leader, that I am detrimentally humble. She said, ‘you can’t serve your purpose if you’re denying the gifts you’re given for your purpose.’ She was the last domino to fall in terms of telling me what I needed to hear to feel confident in starting Unapologetic.”

Marie is not only Mad’s wife, but also the Project Manager for Unapologetic (though if you ask anyone in the collective they’ll tell you she’s the real boss). She’s much more humble about her integral role. “I am the cheerleader. I cheer on everything that happens. I encouraged any ideas my husband had. I’m not the type of person to say just because I don’t understand it, it shouldn’t be done,” Marie tells me. “I think that’s why Unapologetic took off even from the beginning. Anything that needed to be done, I was there. If something needed to be talked out, he can always bounce those things off of me and I never restricted that. And that made everything else work.”

Despite the vision for Unapologetic being inclusive, they soon saw why so many creative spaces were not. In the early years of Unapologetic, the team recorded in the spare rooms of Mad and Marie’s own house. After about a year of recording in this setting, they started to notice the same thing being said after each session: how grateful women were to finally have a safe place to record.

“There’s a huge kind of elephant in the room, almost a ghost, of the male treatment of women in studio spaces and how that can determine what spaces you decide to be in. In male dominated spaces, there’s always someone saying something about a woman’s ass or someone’s always doing something. And because that was the culture of things, there were assumptions and concerns by default,” Mad stated.

Uniq agrees. After working in various studios across Memphis, she noticed a marked difference in working with Unapologetic. “I feel like this is safer mentally and physically to be honest. I don’t have to worry about guys trying to look at me in any kind of way and they don’t take me being friendly as anything more than just that.”

Safety isn’t the only issue holding women back from flourishing in these creative spaces. As I mentioned before, there’s still this mentality that certain roles in the music industry are just “for men” or just “for women.” Mad recounts a story while working at a music event here in Memphis. A group of 8 or 9 women were gathered around at soundcheck when he arrived. He asked which of them was the engineer. They laughed and said, “We leave the technical stuff to the boys. We just sing.”

Perhaps it’s a pre-conditioned imposter syndrome we as women have internalized. “When society looks at creativity, I really don’t think they look to women a lot,” Marie tells me. “The guys on the team – from Mad all the way down to even the interns – are 100% looking for anyone who has a creative side but I don’t think society looks at women for that.”

She’s quick to remind society of something important though. “We as women look at the world differently. We have our own experiences that are so different from the men. So, what comes from that creatively is going to be different and it’s going to be special.”

Marie pauses. We’re speaking over the phone but I can tell she’s smiling as she continues. “It kind of blows your mind once you see what we’re capable of. It comes out fluorescent. That’s how we flourish. People don’t know what they have in them until there’s a safe space for it to come out.”

The Accomplishments

This past winter, Unapologetic entered a huge collaboration with the NBA and Memphis Grizzlies. They designed limited edition merchandise, created social media campaigns, and wrote a song to go along with the partnership. While the project was a team effort, Sarai helped to create the designs for the clothes, Uniq penned the song, the photos were taken by Gabby, and Ariel provided design and social media input.

In April, Nubia produced, directed, and designed SHEENA, a visual arts show at the Green Room at Crosstown. “That was the closest to my vision I’ve ever gotten for a live show. I had crazy ideas. I wanted a bathtub and I wanted it to be full of water. I wanted a backdrop with comforters and sheets. They helped me do it all. I nailed things, I sewed things together by hand,” she describes to me. Her hard work and relentless vision paid off. The show quickly sold out. “Everything was perfect,” she says. “I’m really proud of how it turned out. And at no point did I feel like I couldn’t do something as crazy as put a bathtub in the Green Room at Crosstown.”

Uniq might have only recently joined the team, but you wouldn’t know it by her output. “I’ve helped score a TV show. I’m learning to make my own beats and actually writing to them now. I’ve written about 50 songs in just the last few months since I’ve been here. The momentum is crazy.”

If you followed Unapologetic during the pandemic, you would’ve seen the creation of the UndergroundAF radio. That was all Ariel. The street team? Ariel. Social media campaigns and styling videos? Ariel. “I help out wherever I can. When I joined I just did social media but then I got involved with the street team. The street team is essentially like a marketing team but in the Unapologetic way. Nothing traditional,” Ariel says laughing. “I also worked on our 1v1 series which was like a versus battle. It really helped connect artists together and it built a lot of relationships,” she tells me.

To detail all the things Sarai has achieved during her time with Unapologetic, I’d need a week at least. As a long-standing member, Sarai has been involved in countless projects from album cover art, Garments sketches, random skits for the website, and she designed the limited edition beer can Unapologetic did with Memphis Made Brewing. That collaboration sold out.

One of her favorite pieces of work though is the VAGINA collection, a special series Sarai did with Garments. The clothing featured shirts with the word VAGINA in capital letters across the front. “That was so anti how women are supposed to be in the south,” she says proudly. “Women are used to being covered up or conservative so walking around with a shirt that says vagina is pretty bold. A lot of people were uncomfortable. They would be like ‘where would I even wear this shirt?’ and I was like, um, the store?”

When Unapologetic initially formed, their first photographer was Cat Patton, an incredibly talented and innovative artist. She helped form the vision for Unapologetic visual. Now she’s passed the torch to Gabby. “When I came on, I learned so much from Cat. The way she thinks about art…the way she would bring together the pieces of our ideas, the way she projected them to our audience, and the way it was perceived was so different to me. I was kind of transformed,” Gabby explains.

Gabby has picked up right where Cat left off. Last fall she was hired by a PR company to shoot NYFW. At the top of this year, she did a full scale photoshoot with New England Patriots wide receiver Ty Montgomery where she not only took the photos, but she also led the creative direction and helped styled the shoot. “Even though I’m a photographer, I learned I can play big roles,” she tells me of the experiences.

She’s not alone in having this type revelation. In 2018, Unapologetic partnered with Ballet Memphis for a special fall mix performance. Nakita served as point person for the collaboration. “I had to step up and do a lot of the coordination while Mad was gone. I really enjoyed putting the pieces together and making sure everything flowed smoothly.” Now she does this officially for events at their Outerspace studio.

The Sisterhood

For as much creativity and content the ladies have contributed, they’ve also contributed something equally as important to the collective: softness. “Sometimes when I say things, the guys will take a technical route to it,” Marie explains. “But as soon as I tell a woman, they’ll light up and want to talk about it in a deeper way.”

There is a noticeable bond among the women. It’s not forced either. It’s one formed from genuine care, love, and respect. “There is a sisterhood between us,” Marie says. “It becomes like glue. It’s a very strong adhesive that you didn’t even know was there.”

“We communicate differently than we do with the guys,” Nakita tells me. “I’ve called Marie crying and I just needed some advice. It’s so great to have other women here that I can really talk to and be very open and vulnerable with.”

Sometimes that communication comes across as much needed tough love. “I’ll call Marie or Nakita and they’ll be like ‘Get your shit together, you got this. You’re killing shit out here. Don’t play with yourself. We got your back,’” Uniq tells me.

Nubia is one of the newer members to join Unapologetic but she felt that connection immediately. “One day I came in and I was NOT ok,” she said, shaking her head. “Uniq just came and gave me a hug out of nowhere. At first I was like ‘ok this is nice’. But then she didn’t let go and I was like, ‘oh shit I really needed this hug!’” Nubia laughed.

It’s those little things (a hug, a phone call, a shoulder to cry on) that has solidified the sisterhood but it doesn’t stop there. This closeness also extends to their work. “It’s an open collaboration,” Ariel says. “Every woman on the team has their strengths and I know who to hit up to get certain things.”

“Being a part of the team, having their input, being able to build off each other…it’s almost invaluable. It allows you to be privy to that bigger picture that is bigger than us,” Gabby explains. She relates the collaboration the sisterhood provides as an essential component to the overall vision of Unapologetic. “We’re a part of something that’s greater than ourselves. We might have been able to do it alone, but we can always go farther together.”

The Future

Don’t let their enormous list of accomplishments fool you – these ladies are far from being done. When I ask what their goals are over the next month, year, or 5 years, the responses are confident, focused, and intentional. There is no one without a plan. A&R, fashion shows, art exhibits, live performances, tours, DJing, poetry, short films, and new music are just some of the formulated ideas they excitedly tell me about.

Marie adds something more to her answer. “I want more women to feel comfortable expressing their own creativity however it comes out,” she states. “I think something scares or intimidates people when they do something that has never been done before. We’re all weird in our own ways.”

There’s a central message in Unapologetic’s work, and especially in the work of these ladies, that emphasizes the belief “what always was doesn’t have to always be.” The world is a fundamentally better place with the evolution of prior thinking and the introduction of new thinking. Marie articulates this idea much more simply. “Once you cross over that line and you start living your unapologetic self, there’s no way you can go back to the other side.”

The post The Women of Unapologetic appeared first on We Are Memphis.

The music industry has traditionally lacked female creative minds. In fact, women represent percentages in the single digits in most sectors of the music industry, and seeing more examples of women thriving in the space in Memphis is a testament to our growing music culture and identity. Meet Memphian McKenzii Webster, the founder of The Web Mgmt, a creative agency that managers artists like Daz Rinko and Spree Wilson. She currently serves as the Musician and Artist Services Manager at Crosstown Arts, and the Marketing Director for Yonas Media. How do we put it? This girl is on fire.

Webster studied Government with a concentration in International Politics in Connecticut before she moved to Toronto to study Music Business. Her story in the music industry begins in her sophomore year of her undergraduate studies, when she began booking and promoting campus concerts. After leaving college, she began thinking about how to continue working in the music business space without the cushion of the college program funding. Once back home in Memphis, her passion for finding ways to support her friends who do music led her, run and gun style, into her career as an artist manager.

What is the best part of your job as an artist manager?

The creative aspect. Hearing an artist talk about an initial idea and watching it slowly come to fruition and then seeing people experiencing the art. Obviously some things don’t go exactly as planned, but to see the dots connecting –that’s the fun part for me. Especially when we aim to create a certain type of experience, and then the experience that an individual consumer has is their own unique experience. THAT is really cool.

What is your personal special sauce as an artist manager:

I come from the perspective of being a creative partner, and I enjoy being a creative partner. I love quarterbacking in the sense of asking questions, like “how do we creatively get your art out to its specific audience?” I love attention to detail. I love thinking about my artists’ projects strategically.

What do you think about the state and potential of Memphis’ music infrastructure?

Memphis is experiencing its own cool renaissance in the arts. We have a rich history, and sometimes that can be our downfall in the sense of resting on that history. There is a lot of history being made currently. We are getting to a point where we are uplifting the creators who are paving their own legacies and doing it well.

I’m excited to see more sync [licensing] being done in Memphis, and more collaboration, which I think is key. I always think there is room for improvement in some areas. For example, just because someone is doing something in the city, whether it be sync, publishing, PR, marketing, etc. there is room for many more to play in that space– there needs to be more than one. Memphis often gets compared to Nashville, and one great thing that Nashville does is they have an abundance of agencies in the music space. That is what creates an infrastructure.

Is there any part of the music industry that you would like to experience working in, that you haven’t yet?

I want to learn how to play the bass. Second, I would love to get into music supervision in film and TV. I still remember songs that were used in some of my favorite movie and TV scenes during my formative years. I think ‘oh wow, they used THAT song, or “what song did they use to end that episode?’ Those moments would be really cool to be a part of.

Is there a moment during your career that you have learned a lesson about being a woman in the music industry, or is there any advice that you would like to give to women just getting started in the music industry?

A culmination of moments have made me realize how few women there really are in the music business space, and even in the music creation space. Specifically, I’ve learned sometimes your voice can go unheard and you have to be vocal, especially about things that you are vocal about and you have a clear decision and opinion on. There have been a number of scenarios where I was the only woman in space, and it wouldn’t dawn on me. In retrospect, I wonder if this or that would have happened to me if I wasn’t a woman?

In every space, take up space. If you are passionate, and you know what you are doing, people will take you seriously. You have to make sure you aren’t playing small just because you’re in a space that doesn’t feel welcoming or a space where there are other people who look like you. I’m hoping as more women come into the business side, and the creative side, we continue to uplift each other, and open the door and provide resources so that we no longer have these scenarios.

You might also be interested in: Live Music Memphis Tonight | Memphis Live Music Calendar

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Her daughter’s obsession with today’s mermaid trend kicked off Keskessa’s journey to becoming an author and creating Maka’s story. After purchasing a mermaid tail for her daughter, which she absolutely loved, and looking to buy more mermaid merch for her, Keskessa realized that there weren’t any mermaid books that not only reflected her daughter’s image but that of other Black children. 

In today’s market, mermaids are everywhere. From tails and dolls to playsets and tv shows, it’s a little difficult to escape the mermaid craze. Which made it even more surprising that Keskessa couldn’t find any books that accurately depicted Black children, no matter where she looked. She discussed her findings (or lack thereof) with a friend who then suggested “why don’t you just make it yourself?” She took some time and, when the pandemic put the world on pause, Keskessa finally accepted the challenge. She shared her story with those around her and then an editor put the red pen to the page. Finally, Maka’s story was born. 

When writing her story and taking note of other books made for Black children in the market, there were some common themes. So many of the stories focused on equality, hair, and other issues within the Black community. With so many great books centered around these issues, Keskessa decided to go in another direction. “I didn’t want it to be a story about fear,” Keskessa says. “A lot of the books for our children are about bullying, or race, or hair and, there is absolutely nothing wrong with those things, but I just wanted it to come from a place of whimsy.” 

The book is absolutely full of magic, just as she hoped! The story doesn’t just feature an adventure perfect for young minds, but it also teaches lessons around responsibility, geography, and, of course, friendship. Without giving too much away, we can tell you that Maka’s friends and family come from waters across Africa and Keskessa describes their homes in such a way that encourages young readers to explore countries beyond the ones they may already know. She has incorporated so many of her own cultural influences into the story and it’s such a great way to introduce children to new cultures and ways of life.

Of course, a great story is crucial for any children’s book but the illustrations and artwork really bring the entire book to life! Keskessa went on a search to find the perfect illustrator for her story. She primarily limited her search to illustrators of color with the hopes that they would be able to create a character of color inspired by her daughter, but there were a couple of roadblocks that she attributes to society’s lack of inclusion of Black characters in general. “I had one artist tell me that Black mermaids don’t exist, but mermaids don’t exist!” Keskessa says. “I wasn’t mad at them, but it just proved to me how deep-rooted the issues are.” She was then connected with a Russian refugee who lives in Italy whose work blew her away from the first draft. The artist, Valerie, brought her idea to life and she’s so grateful to have found her. 

Once the story was created, Keskessa didn’t know how many copies she would sell. She created a goal to sell 300 copies and, with her contacts, family, and friends, she thought it would be totally attainable. As you may have guessed, the reception was overwhelmingly positive. “When the story hit the world, I realized that I wasn’t the only one looking for this book,” Keskessa remembers. Everyone from little girls to adult women fell in love with Maka’s story. Some of her older readers have described the book as being exactly what they wished for when they were little and have bought copies to share as well as keep for themselves. “The level of joy that it brings to people…I’m still not used to the idea,” Keskessa shares. “When I do festivals, I have this big poster with the mermaids and people want to stand next to it and take pictures. It makes me think, this is all real!” 

Nubian Mermaid Adventures: Maka Makes New Friends is just the first book out of what Keskessa plans to turn into a series. From coloring books to more stories featuring Maka’s family and friends, she’s ready to create a world for children (and many adults) to explore.

You might also be interested in: Literacy Mid-South: A Lifelong Learning Resource for Memphis

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The Memphians listed below all represent various industries from education to innovation to fashion to entrepreneurship, all people to keep an eye on in 2021.

Zaire Love (@zy_year) is a multi-disciplinary artist, award-winning filmmaker, TEDx speaker, and entrepreneur from Memphis. Her work is an ode to being Black and southern in America. Her mission is to honor and amplify the stories and voices of the Black South. Zaire is a filmmaker, music maker, documentary photographer, and creative director with her studio, Creative Cornbread. Zaire held a residency at Crosstown in 2020 and was named Indie Memphis Black Screenwriter Fellow. She is always producing dope art!

Ellen Celosky is an experienced events manager with a history of working in Development, Project Management, and Marketing. She currently serves as Director of Development at Junior Achievement where she is creating ways to provide young people with the tools necessary to succeed in a global economy. 

Lindsay Porter (@ieducate365) is the Owner and Founder of Miniature Minds Private Day School. She is adamant about preparing young scholars for primary school, with a hands-on curriculum; service-learning and academic excellence through a partnership with parents to help develop and nurture the whole child. She is laying a solid foundation for scholars as they begin their educational journey. 

Since the age of 12, Cara Greenstein (@cara_melized) has had a passion for the kitchen. Her kitchen love affair grew the older she became and she began Caramelized, a self-created, award-winning food and lifestyle brand with a purpose to share, celebrate and elevate everyday experiences. She shares recipes, beautiful photos, restaurant reviews and tablescape tutorials through her award-winning blog or day-to-day Instagram account @cara_melized.

RealRed (@1realred) is a Memphis music producer that made his entrance into the industry last year. He delivered a music project showcasing his hard-hitting production style and highlighting Memphis’ thriving rap/hip hop scene. The album featured various artists from the city such as Big Boogie, Co Cash, Fast Cash Boyz, Kevo Muney, Krucial, Casino Jizzle, Big30, Tee Top, Big Homiie G, and BlocBoy JB. His sound mixes a trap style with bouncy synths and a knack for catchy melodies. Most recently, RealRed has been spotted in the studio with Memphis artists NLE Choppa and MoneyBagg Yo. 

Diamond Young (@dyoung901) is a sales powerhouse that has relocated back to Memphis from Brooklyn, NY. In the NYC and DC areas, she had a track record of producing revenue for CoStar Groups multifamily, marketing sector, Apartments.com, as a Sales Associate and New Business Development Executive. She looks to bring that same tenacity, energy, and persistence to her hometown in several of its emerging markets. As the New Business Development Manager for Three(i) Creative Communications, the only social-impact marketing agency in TN, she is determined to increase revenue to unseen heights and assist in the economic development of the city in her spare time through marketing, sales, and community service. 

Dustin Starr (@dustinstarr) is the Co-Host and Owner of Championship Wrestling presented by Pro Shingle. You can call him the voice of the 901! He is the Emcee for the Memphis Grizzlies, Memphis Redbirds, Memphis 901FC, V3Fights MMA, and a PA for the Memphis Hustle. Dustin is also a co-host of CW 30 Memphis (with his wife Maria Starr), the Memphis-based version of Championship Wrestling from Hollywood. Dustin Starr is a Memphis enthusiast!

Aqila Augusta (@aqila._) has become a trailblazer in the hair care industry with the creation of her hair growth stimulant, Edge Entity. While Aqila’s professional background is not in hair care, she does credit her experience as a nurse as helping her formulate products that work. She has studied both chemistry and biology courses in-depth and has a thorough knowledge of how to combine certain ingredients to make them work well with each other to create an effective product.

You also might be interested in: Memphis Sports: A City of Champions | We Are Memphis

The post Highlighting 8 Memphians That are on Their Grit N Grind! appeared first on We Are Memphis.

Engage the people at all levels. Empower and uplift the most marginalized and disenfranchised of voices. Equip our communities with the tools necessary for transformation. These are the imperatives of an effective leader for a city in the midst of a social, political, economic, and public health crisis. We need our leaders to walk the walk and talk the talk. To not just tell us something that can be done, but show us—through their political organizing, housing and food justice efforts, community healthcare and arts programs, and more. Missouri may be the “Show Me State”, but Memphis is definitely the “Show Me City.”

I will never hate on Atlanta, especially not today. But Memphis is the true mecca of civil rights activism, culture, and revolution. So much so, that many Memphians recognize a duty of service in our DNA. 

Here are three young Memphis changemakers doing just that:

Justin Davis

U.S. Representative Ayanna Pressley says, “The people closest to the pain should be closest to the power.” This philosophy is one Justin Davis has adopted into his leadership style. As brilliant an academic and a writer as the Pushcart Prize nominee is, he spends more time making space than taking space. Davis got plugged into the Memphis Bus Riders Union with Paul Garner and the Mid South Peace and Justice Center during his time at Rhodes College. The membership, leadership, agenda, and goals of the organization are centered around Memphis public transit users, with most members riding the bus to and from meetings. Davis’s poetry resonates heavy and has touched many through the journals, magazines, and media outlets that have published his work. He continues to refine his craft at the University of Memphis, pursuing an MFA in poetry. Being a full time student hasn’t stopped his work with the bus riders. “No Buses, No Peace,” can be heard chanted at their demonstrations. The peace that comes from affordable and accessible public transit is the vision that Justin strives for every day. 

Jordan Occasionally

Jordan Occasionally is a true cornerstone of the resistance on all fronts. Musically, JD views their work as a time capsule, capturing not only their individual growth but the urgency of our collective current moment. Amid a generation “tired of waiting for change,” JD’s passionate leadership in Black Lives Matter demonstrations and calls to action toward defunding and abolishing police is yet another move toward a flourishing community ecosystem. A mission of combating injustice through mutual uplift remains at the forefront of JD’s activism. When the COVID-19 pandemic struck, they leapt into action, creating an initiative to provide free masks, sanitizing products, and informational resources for those most in need through a series of pop-ups in the Memphis area. Known as PPEFORBIPOC (Personal Protective Equipment for Black and Indigenous People of Color), this effort directly reflects the root of JD’s artistry: empathy, understanding, and spurring social change through cultivating community. “People can see your joy and your radiance and it will inspire them,” JD says. “My joy is social justice. My peace is social justice. Who I love is social justice. Writing our experiences into my music, sharing our stories, and promoting what matters most, that’s my revolution. That’s my legacy.”

London Lamar 

London Lamar is a native Memphian and is one of the youngest members of the Tennessee General Assembly. This year marks her second term as a State Representative. 

London works tirelessly to engage young Memphians in politics. She started organizing millennials in college at Saint Mary’s College in Notre Dame, Indiana and continued that work after moving back to Memphis in 2013. Her first order of business was reorganizing the then dormant Shelby County Young Democrats organization. The Young Dems have given a voice and opportunities to countless young people to engage in politics locally and nationally actively. London has boots on the ground in organizing grassroots campaign efforts in just about every election in Memphis. London has a strong presence that is only growing stronger as she drafts and passes legislation to benefit her district on a Statewide level. London looks forward to educating young voters, developing youth into motivated citizens, and making progressive changes to the State of Tennessee. “For Memphis to thrive, we must become intentional about growing the next generation of leaders through opportunities to make a real impact,” says London. 

The fight for justice, equity, and equality to continue. There is much work for all of us to do for Memphis to become the city we all know she is capable of being. Find a cause that you believe in and fight like hell to make a difference. 

You may also be interested in: Coworking Space Memphis: why remote workers should be based here

The post 3 Young Civic Leaders Cultivating an Ecosystem of Impact appeared first on We Are Memphis.

We sat down with Sarai to get the scoop on her designs, but also came away with some serious inspiration to take into the new year. Check out the conversation and get blooming!

We Are Memphis (WAM): So the first question I have for you is how did you begin your design career? Like, what made you want to go into designing in the first place?

Sarai Payne (SP): I’ve been, you know, into art since I was a kid, actually. When I was five years old, I said “I’m going to be an artist.” So, I didn’t realize that I actually stuck to what I said I was going to do as a five-year-old. I’m happy about that. At the age of ten, I got curious about web designing. I would look at websites and think “how do they do that? How’d they make this website?” So I started learning how to code and that led me to graphics.  But at that time, I didn’t know that was graphic design and later I found out that there is a field for it. And also, I’ve always been into fashion. I love studying how someone came up with an idea for a brand color, fabric, style, and textures. I am also an artist. I do pieces for exhibitions, galleries, commissions, so I’d say I’m a multidisciplinary artist.

WAM: That’s awesome. You’re able to tap into so many parts of what makes you creative. Design and art all work together. I think you’re doing great!

SP:  Thank you! Sometimes I’d say I’m hard on myself, but I’m learning day by day to say, like, stop it!

WAM: Give yourself that credit! You’re doing something that people are into and you should be proud of yourself. So, how would you describe the style of the collection?

SP: I would say the style; the whole team had very different plans for 2020. You know, traveling, show tours, exhibitions, all of that. The pandemic put everything at a halt. We all dealt with it in very different ways, emotionally, health-wise. You know, if I’m sad or in my feelings, I just create. That keeps me motivated, it keeps me going. “Keep blooming” is something that I always tell myself. No matter how hard it gets, don’t give up. Keep blooming. That was the style I wanted to play with. Bold colors, sayings we often say. That is something we truly live by. Unapologetic, it’s what we represent. We tried to incorporate that. We want to create something colorful. Like even though this was created in a dark time, we wanted to create something that would stand out.

WAM: It’s cool how you said that “even though it’s a dark time, the colors should stand out.” I know that the pandemic and everything going on with 2020 inspired you to create the collection, but was there a point in time where something happened, or you were going through something that made you say “we have to do this now?”

SP: Girl, 2020 has been a year. So, um, I struggled with health issues. I had family with health issues. I even had heartbreak. Financial issues. And I’ll be honest, some days I didn’t want to keep going. It was hard. I’d have conversations with the team and we’d say “you know, why don’t we make this into art?” There’s a light at the end of the tunnel and we just have to keep going.

WAM:  2020 has been so hard like you said. Encouraging people to keep going and, as you said in the video, “find something to wake up for,” that is something that will resonate with so many people. Hearing a message like “keep blooming” can mean so much right now.

SP: I hope other people get that message too! Like, yes, keep blooming, keep going, don’t give up. I know it’s easier said than done, but you have to try your hardest to not give up.

WAM: Exactly! So, what was your favorite part of the collection? What about it really spoke to you as the designer?

SP: I would say I love working with my team! We all have such different personalities so it’s cool that we can always come together and create cohesiveness with our designs and products. AWFM is the creative director. C Major is the logistics and data person. And I’m the designer. We always help each other out with concepts. I’m just happy that I’m on a team that we appreciate and respect each other as is. We equally all respect each other’s ideas and concepts. I will say I am blessed that I have Unapologetic. Just a family a team, we look out for each other. It’s a lifestyle, it’s not just a job.

WAM: I feel like that type of community is so authentically Memphis too.

SP: I’ve been other places too and it feels like you have to look out for yourself. But not here. I totally agree with what you’re saying.

WAM:  In a time where people have been emotionally wrecked by what’s happened this year, how do you keep yourself inspired? What is your routine for keeping yourself full of inspiration?

SP: You know, I had to force myself – when I’m upset or sad, I’m a workaholic. That’s how I cope and I’m gonna admit that it’s not always healthy, but I’m gonna work through it. When 2020 shut so much stuff down, I realized I was going to have to stop. I try to work out and meditate. I make myself sleep. I watch YouTube videos too. I get anxiety if I’m sitting still for too long. So sitting down for 15 minutes watching videos gets my creativity going. I may see a color or piece in the background and go “wow.” That can inspire me to go create something.

WAM: 2020 has totally been a year for us to take a break and listen to what’s going on around us. That break you took allowed you to create something great with the collection. So, don’t be shy — take more breaks! In the promo video, you say that you want to encourage others to fight for something. What is something you fight for?

SP:  I try to fight to stay afloat and stay positive when there’s no way to be positive insight. In my own way, I try to fight for equality for black people, people of color, people in various communities. I try to fight for my own peace of mind. Sometimes so many things can be going on that it’s overwhelming. It can be a spirit killer. So, I try to fight for what makes me happy.

WAM: We’ve talked about so many great things, but, if you had to pick one thing, what do you hope people get from the collection? What about one word to describe it?

SP: I would hope that it inspires people to have hope. That things can get better. Let me think…being vulnerable. Like in the video, we’re being our honest selves. It’s not rehearsed, we’re just saying what’s on our minds. We’re sharing parts of ourselves that not many people may know about. I don’t share everything on social media. I’m not ashamed of it, but I don’t always wanna say “hey I’m going through this!” I even second-guessed releasing the collection because I was like “this doesn’t sound happy!”

WAM: Don’t be scared! Even though that’s so easy to say and it’s scary to put your soul into something and wondering how people are going to receive it. It takes guts to make something emotionally charged, but I think you did something great.

WAM: Anything else you’d like to add?

SP: I just hope that people who see the collection know that we put our hearts and feelings into the collection. We hope that if you wear it, it inspires you. And that we enjoyed creating it!

Ready to Keep Blooming? We thought you’d might be. Click here to check out the collection and grab some inspiration for yourself and follow @weareunapolog

You may also be interested in: Brandice Daniel – Designer & Artist Profile

The post Keep growing, keep fighting, Keep Blooming: A Conversation with Unapologetic’s Sarai Payne appeared first on We Are Memphis.

He is standing in the foyer of an ethereal mansion while wearing a coral original from his own designer line. With a scarf gently tied around his blonde hair, he points to a box adjacent to his hip. It’s a box of Henry Masks, his recent innovation of eclectic of colors, that he co-created with his brother at the onset of the 2020 COVID-19 pandemic. The camera pivots to another room and he introduces the featured pieces in the 2020 New York Fashion Week show set to premiere that week. Patrick Henry, better known as designer and tailor Fresh, is the man of the hour and quite honestly – the year.

A Memphis son living in the fashion hub of Los Angeles, California, Henry has been a self-taught tailor since he was 19 years old. He has designed clothes for celebrities ranging from Queen and Silm’s Lena Waithe to half of the NBA to The Weekend’s wardrobe at this year’s American Music Awards.  He is not the new kid on the block; the hustle has been strong long before the world went on lockdown.

Before working for Ermenegildo Zegna in 2013 in LA, Henry opened a tailoring shop in Downtown Memphis. Like many creatives, sometimes you must leave the city to go full throttle on your passion and dreams. Nevertheless, while he’s away, Memphis runs in this blood, his designs, and his grind.

1. You’re from Memphis (me too) and decided to drop out of Memphis State (The University of Memphis) to pursue your career in fashion. How’d you come to that decision and what has Memphis taught you while growing up that helps guide your work today? How do you show elements of Memphis in your pieces?

I wasn’t even going to go to college. Memphis had a fashion merchandising program and my mom encouraged me to go since she was a teacher there. I ended up getting a full scholarship, but after the first semester, I realized fashion merchandising wasn’t something I wanted to get into. I figured, “I’m not supposed to be here,” and I dropped out and never thought about going back.

Memphis taught me hustle, grit and integrity. You got to hustle in Memphis. If you want to be an entrepreneur, you got to hustle. If you’re a Black man in Memphis, you got to get out and beat the pavement. You can’t be afraid of hard work. Also, grit. You can’t only do the easy sh*t. You got to do the hard work. And then integrity. I see the ones who keep their word and I see the ones who don’t. Memphis is a small town. Everyone knows everyone. When you’re not a good businessperson, word spreads quick. So, if you operate in integrity, people will gravitate towards you. I learned I had to operate a certain way to be successful.

2. The pandemic hit us unexpectedly, but you’ve been able to pivot with selling Henry Masks which have been a hit. How’d you pivot so well? What can other entrepreneurs learn about keeping your business going in unexpected times?

Henry Mask has been a godsend because the rest of these masks suck. They’re all in your mouth, or the material doesn’t do what it needs to do. And we’re dealing with a real crisis. I mean, people think it’s a joke, but every day we see bodies drop, we see numbers rising, we see people who thought this was a hoax dying from the same thing they thought was a joke. I don’t claim to be the smartest man, but if I see this thing, wipe out a quarter of a million people in a few months, I’m going to take it seriously.

How we pivoted so smoothly is because I didn’t panic. I don’t have the “panic wire” in my body. I just make decisions. So, when it hit, I realized that businesses were slowing down, my Rich Fresh business was slowing down, and we still had big bills to pay.  Still had expenses we needed to take care of and employees we needed to pay. I was never in a position where I could just sit and chill, but I also didn’t want to start panicking such as depleting my savings and emptying out this and emptying out that to pay bills. I just had to go to God and talk and just figure out like, what’s next, you know, I’m confident that you didn’t bring me my family as far as to drop us off a cliff. So what’s next?

I just stayed in a real peaceful spot. And then one day it just landed on us that we needed to do masks for tailors for our staff. Then that turned into showing it to a friend and now business partner which turned into making thousands of regular masks for a bunch of factories in Memphis which one day turned into my desire to turn that into a brand.

I told my brother, “Hey, if we’re going to be doing this mask thing, we can’t just do it as a hustle. We have to turn this into a brand and into a company that stands for something.”

So, if you’re in this space, right now, figure out how you can get money by solving a problem.

Henry Mask isn’t just a frivolous attempt and making some money. It’s solving a problem. The problem was people could not find face masks. They were out for months. The thing that could keep you alive, you couldn’t get it for months. So, we wanted to solve a problem and create a subscription model so people would be confident that they would always get the thing that they have to have. Solve problems. If you’re in this space, right now, the pandemic has created a series of problems. There are old people who can’t go to the grocery store. Start a business where you go pick up the groceries for them. These are brand new operations that wouldn’t have existed a year ago because there was no need. But this need has shown up and people were able to respond to the need are able to build businesses in this pandemic era – they can still be successful.

3. Do you think entrepreneurs have to leave Memphis to be successful? We see that a lot. Folks leave and seem to blow up. What do you think?

I don’t think they have to leave Memphis. I think you must go wherever your market is present. I knew I had to go somewhere fashionable, either New York or LA.

Before leaving, always observe the market. It’s not about where you are; it’s about what they consume where you are.  Look at your product, look at your craft, and look at your skillset. Then, look at who would consume your product or who would utilize that skill set the most. Find out where they are, wherever they are, and go there.

4. You’ve designed pieces from folks from Lena Waithe to Draymond Greene and even Curtis Givens in Memphis. Who’s been your favorite celeb to work with and what has working with celebs told you about the power of networking and building relationships?

That’s always such a tough one because they’re all cool. The Weekend knows what he wants, but he trusts the vision. Lena Waithe has been cool, too. She doesn’t have creative input. She says “Yo Fresh! I got three big dates coming up. I got the Oscars, I got this. I got that. Work your magic,” and I go do my thing. She doesn’t know what she’s getting until she opens the bag.

But you know, I got a lot of clients who aren’t famous. I got Pete, an entrepreneur, and a restauranteur. I got this cat, Jordan, a football player. I’ll post something from the Grammys, and he’ll call me like, “Yo, give me that in three colors.” You know, some people just really, really, really love what I do so much that you see that constant support.

I just enjoy working with people who appreciate what I do because it’s not easy, and it didn’t come easy. It took a lot of hard work to get to this point. My clients that can show respect, consistently and just their appreciation for my craft and my skill set, I enjoy working with them. I don’t have a favorite.

5. I found you after seeing the couple set you did for Kentavious and McKenzie Caldwell-Pope (Bespoke Program). I have hanging on my vision board to squeeze into it (unless you make it in plus size one day). It seemed so simple, but it was so cold! Even down to using the chevron pattern as a staple. How’d you find your authentic design style?

It was all by accident. I was just making clothes. You know, I was just making things that look cool. In 2016/2017, I remember walking into the store one day and a buddy of mine saw me and he was like, “Hey man, it’s good seeing you do your thing, but I really wish that you believed in yourself enough to establish an aesthetic. You’re not making anything that people recognize as yours.” And for second, I took offense because I wasn’t used to people talking to me like that, especially somebody that didn’t have a brand. But he spoke the truth to me. It took me a while to get it. If you’re building something that people can’t recognize from a distance, you’re really working at a disadvantage. You got to work a lot harder. You can’t just be making clothes. You can, but what’s the distinguishing characteristic between your clothes and somebody else’s clothes? I started just putting random stripes on trousers just to make them cool. As simple as it is, that’s the thing that you don’t consistently see in anyone’s brand. I’m not seeing anyone using stripes in their brand, and I’m not real logo driven. I’m more of a minimalist and a maximalist. I just like using color. Let me see what I can do with these stripes. Let me put these stripes on everything and let me put it on the pants. Let me put it on the jackets. Let me put it on the shirts, let me put it on track pants, let me put on track jackets. I just had to look at my body of work and see the thing that I had done could be used consistently because anything that you do consistently becomes your brand.

6. Will you keep Henry masks in production after the pandemic?

Absolutely. After this pandemic, we’re going to have flu season, we’ll have cold season, and we’ll have another version of COVID. There will always be something. This is a global product already, and in other countries, they have diseases that impact them differently than they impact us. You’ll always have the health care environment that will always need masks. There are people now who will want to wear masks in the future because they don’t want to breathe someone else’s air. There are folks who work in close quarters with other people who will need one. If I’m going to a restaurant, you’re probably not going to want someone breathing all over your food. If you have a kitchen waitstaff, there’s a good chance that you’re going to see masks in existence for a long time. I see the need is getting greater and greater. Schools will eventually not be online. They will be back in the classroom, and when that happens, it’s going to be imperative that we protect students and the staff.

It’s not about COVID; it’s about protecting people from diseases that are transmittable and things that can be shared through air. The brand is going to evolve, and we’ll add more products that aren’t necessarily mask driven. However, masks will always be at the forefront of our product range.

7. You give away a lot of free game on the gram. Why? What compels you to want to help others find their way?

Because I was a lost young man. I was lost and I didn’t have the benefit of guidance early on in my creative career. I taught myself how to sew when I was 13. I couldn’t seek guidance for that. When I graduated high school and wanted to get into learning how to design and alterations, I sought guidance but didn’t get it. I went to different tailors and tailor shops and asked if I could intern or be an apprentice. Yet, they ran me out because they didn’t want to invest energy and time into someone else.

I found one guy, Michael Thomas, who let me come in his shop and hang out. He didn’t necessarily teach me anything, but I learned by viewing. By being able to view him making clothes and view his swag, I was able to pick up some things – subconsciously and consciously – that have helped shape my business. When God blesses you, you have a responsibility to bless others. God doesn’t bless us for us to be stingy with those blessings or look down on people who don’t have those blessings and say, Oh, it’s all me, it’s all me. Now we have a responsibility to share that with others. So, I understand that the position that I’m in, I’m very fortunate, and sharing game doesn’t affect my position. It doesn’t diminish my value at all. By showing somebody else some of the steps that I’ve had to take, or some clues or some hints that might help them become more successful in a space, it doesn’t diminish my value. If anything, it shows that I have greater value because I have value to give and still maintain my value. And I think if people thought like that, instead of thinking that if they give you some game, it’s taken away from them is taken away from their market. I can teach you how to do something, but you’ll never be able to do it like me.

So why not show you how to do it. I can teach you how to fish.

You’re still going to go fish, but there’s plenty of fish in the ocean. Why am I concerned with the one to 10 fish you might get when there’s an abundance? So, having the mindset of abundance, putting me in a space where I don’t mind sharing games because there’s so much that God has for me that I almost still get regardless of how much game I give. You know, honestly, the more game I give, the more blessings I receive.

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Female DJs in Memphis have an enriched history! They have always played a critical role in music and dance and, upon closer inspection, women have defied the odds all along. Beyond building careers as vocalists and dancers, they also were risk-taking label managers, scene-defining DJs, visionary artists, and producers.

Women are blossoming in an industry highly saturated and associated with men, proving they can rise to the occasion. There’s no shortage of women who can hold their own behind the turntables here in Memphis. There are countless impressive female DJs mixing tunes across the city, from seasoned veterans to rising stars. These DJs have performed for some of the city’s biggest festivals, held residencies at some of the most popular clubs, and they’ve assisted and worked with some of the industry’s most successful artists and agencies. And to add to that, every single one of these women wear many more hats than just the DJ cap.

Here are 5 Women DJs who you should know or get to know in the 901.

1.) DJ Tootz (DJ Big Tootz and DJ Lil Tootz)

DJ Tootz, or Twin Tootz, are known for being the twin DJs who will turn you up, no matter the event! Together, they create an infectious energy that keeps them booked and busy. Though they split their time between Atlanta’s rolling skating scene as in house house DJs for Cascade Skating Rink and their hometown Memphis, they are constantly finding ways to advance themselves in this male dominant industry. Tootz are self-taught DJs that play all kinds of genres of music. Their style is very versatile, from being official DJs for Memphis’ own Quality Control recording artist Duke Deuce to DJing my wedding. They are a fun time!

Check out DJ Tootz on the 1’s and 2’s Here.

2.) DJ Space Age

@djspaceage

DJ Space Age has been holding down the Memphis music scene for some time now. Getting her start at local clubs and DJing a tour run for 8Ball and MJG pushed her into the limelight of being one of the city’s premier female DJs. Opening up for acts such as Somo, Rae Sremmurd, Big Krit, Denzel Curry, Riff Raff, and Mike Stud and her resume is growing rapidly. Also a curator of events, CEO of TRDON & event coordinator for The Dope Academy, she has excelled in creating showcases in Memphis. As a show DJ for ToriWhoDat and Tres Ventura, you can catch her being a hype man to these dope acts. Be on the lookout for great things from DJ Space Age.

3.) DJ Kevia

@DjKevia901

DJ Kevia can be heard Friday nights on 88.5 FM, where she produces a show called “Flashback Friday Nights” from 9 pm – Midnight. She is one of four co-founders, including DJ Crystal Mercedes, of ‘SheDjs’, an organization to help established and upcoming female DJs to get gigs and showcase their talents. DJ Kevia says her career highlight as a DJ has been, “DJing for actor Leon Robinson and his reggae band ‘Leon and The Peoples’, and DJing for actor Michael Jai White when he came to speak at the Heal the Hood Foundation of Memphis’ ‘Evolution Pop Culture and Community Summit. presented by the Heal The Hood Foundation of Memphis.

Check out DJ Kevia on the 1’s and 2’s Here.

4.) DJ Crystal Mercedes aka (The Runway DJ)

@therunwaydj

DJ Crystal Mercedes is a talented DJ known for mixing the sounds of Hip Hop, R&B, and Deep House, with mainstream Pop music and just a little bit of Reggae and Rock. There is no limit to her music collection! She brings a sexy style of DJing by setting her presence with her stylish attire and funky high heels.  She can be found curating vibes on Friday at WKND Memphis. She has also worked with a number of clients for musical direction, including Memphis Fashion Week, Memphis Grizzlies, Sephora, Victoria Secret, Madewell, American Apparel, Macy’s,   and Microsoft. It’s safe to say she’s a music success.

Check out DJ Crystal Mercedes on the 1’s and 2’s Here.

5.) DJ Chandler Blingg

@DJChandlerBlingg

DJ Chandler Blingg is unique in that she’s a DJ, beatmaker, and producer. Her vibe is house, techno, iconic blends, mash-ups, and dance floor vibes. She will try her hand at whatever feels right — creating a truly unique, multifaceted expression of herself through her music. You can hear her set ‘Mahogany’ every Tuesday on WYXR 91.7, from 11 pm -1 am.

Check out DJ Chandler Blingg’s set Here.

For all female DJs or aspiring DJs check out @SheDJs901 for more knowledge and opportunities in Memphis.

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The post 5 Women DJs Making Noise in the 901 appeared first on We Are Memphis.

Bazley may have been uncertain about how he’d get to the NBA, but when the opportunity presented itself, he was sure he wanted Shabazz on his side. Having heard of Shabazz from Skal Labissiere—a previously skinny forward about to enter his third year in the NBA—Brazley began putting pressure on his management to connect him and Coach Shabazz. Bazley called Paul, the agent he shares with LeBron James. Paul called former NBA sharpshooter Mike Miller, another client, and an assistant coach at the University of Memphis. In no time, Shabazz was on the line with Paul.

Bazley arrived in Memphis on a Monday, trained that day, then trained some more on Tuesday. That set the pace for early mornings and high intensity. The workout was built around explosive movements and strength training, with Bazley and Shabazz in an often otherwise-empty weight room. Bazley soon placed another call, this one to tell his agent he was staying in Memphis for 6 months, after which he headed to Boston for an internship with New Balance. In 2018 Bazley signed an endorsement deal with the company that could earn him up to $14 million if he hits performance incentives. 

“I know where all the athletes who come to me want to go, and I know what is expected to get them there,” Shabazz said.

Other clients over the years have included brothers K.J. and Dedric Lawson, who played basketball at the U of M and Kansas University respectively, and Skal Labissière, who currently plays for the Portland Trail Blazers. 

Ever since Raheem Shabazz was a child, he’s been all about athletics. He played just about every sport there was at the Carver Recreation Center in Chattanooga. In high school he earned all-city and all-state honors in football, was the Regional Champion in the 200 meters in track, and was recruited to play for the Ohio State football team from 1999-2002. He then played for five years as a professional in the Arena Football League. 

Having lived as a pro athlete for more than a decade, Raheem knows exactly what it takes to succeed at that elite level. Over the years, he started sharing what he’d learned at Ohio State with others, eventually developing a passion for nurturing the talents of up-and-coming athletes. He now trains more than 1,000 people a month, both students and pro athletes in a variety of sports. Coach Shabazz, who is the father of a child with functional needs, also works with children with disabilities. 

Last July, after outgrowing his old space at 8551 Macon Road, Shabazz Fitness was opened. The new 4,800-square-foot facility located at 1170 Midas Cove in Cordova includes cardiovascular, weightlifting, and speed training equipment. 

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