Ida B. Wells

Though this activist was from Holly Springs, MS, Ida B. Wells spent a decade in Memphis and helped shape the landscape of the civil rights movement. She was also one of the founders of the NAACP and aimed to shed light on the conditions of Black people throughout the South through her investigative journalism.

Estelle Axton

Co-founder of Stax Records, Estelle Axton helped in finding and promoting artists that would revitalize the Memphis music scene – Rufus and Carla Thomas, Otis Redding, Sam and Dave, Wilson Pickett, Booker T & the MGs, and Isaac Hayes. After leaving Stax Records in the 70s, she founded the Memphis Songwriters Association and co-founded the Memphis Music Association.

Maxine Smith

Maxine Smith challenged racial inequality throughout her life and became one of the first female members of the Memphis NAACP board. She was presented with the Freedom Award by the National Civil Rights Museum in 2003, and the Maxine Smith STEAM Academy was named in her honor.

Jennifer Elaine

Jenn owns a local art gallery and is a self-taught artist. Her focus is on Black art that illustrates “the beauty, power, dopeness, and resilience of Black women.” Her gallery also showcases other Black artists, and you can find her work online or in person at the Orijennal Art Gallery in Cordova.

Julien Baker

A singer and songwriter local to Memphis, Julien Baker has released a number of studio albums, has performed on late-night shows, and has gone on tour with many notable bands in the genre. She also joined the indie supergroup, along with Phoebe Bridgers and Lucy Dacus, known as Boygenius.

GloRilla

Another famous musician making her way in the industry is GloRilla, a rapper with a Grammy-nominated performance for her song F.N.F. She’s been a featured artist on songs with Latto, Ciara, and other prominent musicians in both rap and R&B.

You also might be interested in: Memphis Ambassadors Program – We Are Memphis

The post Women’s History Month: Trailblazing Women in Memphis, Past and Present appeared first on We Are Memphis.

The funeral service industry has long been a male-dominated one, but times are changing as more women are entering into the profession and breaking down stereotypes. While still not yet considered female-dominated, the fresh infusion of death-positive philosophy, life celebration, and death doulaship by women is changing the face of the death industry. Shifting values, technology, and optics have created a disruption — and women are at the forefront.

As the licensed funeral director and embalmer at R.S. Lewis and Sons Funeral Home for almost 9 years and the youngest at her firm, we were excited to sit down with Ternisha Smith to get her thoughts on how women are disrupting the funeral industry.

What made you go into the funeral service industry?

In 2005, my freshman year of high school at Whitehaven High, my aunt passed away unexpectedly and during her first viewing with the family I didn’t like the way she looked. She was a small/medium built lady; however, in that casket she was HUGE! She didn’t look like herself at all. I made up my mind that funeral service was the field for me. Human anatomy has always been intriguing to me; therefore, I knew my calling/dream and what I had to do to make it my reality.

What is an average day to day working as a licensing manager at RS Lewis & Sons Funeral Home?

As the licensed funeral director and embalmer, I’m tasked with responding to first calls, making funeral arrangements with families, scheduling funeral services, both traditional (burials) and non-traditional (cremation), preparing the remains for services, ensuring the daily operations of the firm are completed and in compliance with the state board.

How do you maintain your peace having to care for so many grieving families?

Prayer, I grew up in the church and was always taught to keep God first. I take my weekly scheduled off days to rejuvenate and decompress; take a trip to the spa, get my nails done, impromptu trips to the Children’s Museum with my children, day-date with my husband or day of doing nothing.

Why do you think the funeral industry has become more women leading in the last few years?

In my opinion, women are more compassionate, detail oriented, attentive to detail, and organized. We naturally have a nurturing spirit. Historically, it is known that women were the ones who cared for the family – both the deceased, and the survivors. It’s not that we do it better than men, or men can’t do it, but for it to be such a male-dominated industry, we are coming in and literally taking over. We can do everything a man can do from removals, lifting, embalming, dressing, casketing, etc. Intellectually, women have a higher altitude when it comes to taking the national or state board. Back in 2011 when I graduated from John A. Gupton College, there were approximately 46 people in my graduating class with 22 being women. The numbers are steadily increasing each year.

What is the most rewarding thing about your job?

The most rewarding thing about my job is the thanks that I receive at the end

of a service. Knowing that I have made the worst moment in a families’ life easier is good enough for me. I don’t do this for recognition, I do this because it’s my passion and I absolutely love what I do. In addition, when someone calls looking for “the funeral director” and I explain that they are speaking to HER, there is a brief awkward silence that tickles me, especially in the older generations. The awe in their eyes when I’m seen in person is just as hilarious. It’s the “ooh, you’re Ternisha, I’ve heard so much about you” for me; even a lot of my fellow colleagues know me by name, but haven’t seen me in person. People have this conception that a funeral director or mortician is an older man, tall and speaks monotone, to their surprise, I’m the complete opposite. I’m 5’4, female and speak enthusiastically. I’m the youngest at my firm and I take pride in knowing that I can perform just as well as the oldest person.

What are you most passionate about in the funeral service industry?

I’m most passionate about helping people. Whether their funeral is $3,000 or $30,000, I give the same level of compassion and professionalism. I love the bond that is built with the families. A family will always remember how you treated them and how you made them feel throughout the process.

What has your profession taught you about life?

Funeral service has taught me that death has no limits. You can be old, young, rich, or poor. Death is inevitable. Most importantly, have insurance. The most irresponsible thing a person can do is put the burden of having someone plans a funeral for you with no money or insurance. Insurance is everything. Having your affairs in order will make the process easier for your loved ones. Inform your loved ones of what you want for your service, from casket color to the style of dressing, make it plain and clear.

You might also be interested in: How Dr. Esra Roan tackles the extreme work life balance

The post Women’s History Month: Women Are Changing The Face Of The Once Male-Dominated Funeral Industry appeared first on We Are Memphis.

You may know just how hard the Latino Memphis works to support our city’s Latin/x/e community, but did you know that there are so many talented women behind the organization’s programs and endeavors? This Women’s History Month, we’re celebrating the women who are dedicated to driving Latino Memphis’ mission!

To learn more about Latino Memphis, visit the website at latinomemphis.org or follow them at @latinomemphis!

Please share your full name, pronouns, and title!

Adriana Perez-Zarco; She/Her; Project Manager – Special Projects 

What inspired you to work at Latino Memphis?

After my service in the Peace Corps, I was very interested in continuing to do humanitarian work & decided to stay in the nonprofit sector. I wanted to be very intentional in the work that I did moving forward and actively searched for organizations that served my community. I had the opportunity to work for Telamon Corporation in Michigan as a Family Services Specialist at a migrant head start office. After moving to Tennessee to be with two of my sisters, I continued my work in nonprofits and, in September of 2021, I was hired at Latino Memphis. The work being done in this organization is impacting my community in so many positive ways & I’m able to see firsthand how that happens. 

How do you relate to Latino Memphis’ mission? 

Growing up in the states, I’ve seen how minority communities are treated & have experienced discrimination myself. When I was younger, I didn’t think that I could impact my community for the better but life has taught me that I can. It’s through small steps, by showing up every day & doing the work. That’s what I am continuing to do at Latino Memphis & every day we are taking steps in the right direction to impact change. 

What do you love about what you do? 

What I love most is the people that I work with. This scope of work can’t be done by just one person, it takes a community full of people that care and want to see each other win. Something that I love about Memphis is that sense of community; it goes beyond one organization & beyond one minority group. 

Tell us a story about a time you saw your work make an impact on the Memphis community

When I worked at the Mid-South food bank, they held their very first annual city-wide food drive with the aim to feed 5,000+ households in Memphis. The planning and preparation that it took to pull this event off were massive! It involved and relied on every single member of the food bank team. As an inventory & quality control specialist, the role that I played in that process involved a lot of coordinating within the warehouse, ensuring the quality of the product, & finally making sure that we had enough! The day of the event was a 12+ hour workday for every member of the food bank team. Though it was a long hot day, what kept us going was the fact that we were all out there together as a team & we managed to give an average of 100 lbs of food out to every single household that showed up to the event. 

You may also be interested in: Lisa Mills Fashion Blogger Profile

The post Ladies of Latino Memphis – Adriana Perez-Zarco appeared first on We Are Memphis.

You may know just how hard the Latino Memphis works to support our city’s Latin/x/e community, but did you know that there are so many talented women behind the organization’s programs and endeavors? This Women’s History Month, we’re celebrating the women who are dedicated to driving Latino Memphis’ mission!

Please share your full name, pronouns, and title!

 Itzel Gomez, She/They/Ella, Welcome Specialist at El Centro

What inspired you to work at Latino Memphis?

 I have been an advocate for immigration rights since my freshman year of college. I want to use my education and experience to provide the resources and support the undocumented and immigrant community often lacks access to. 

How do you relate to Latino Memphis’ mission? 

I believe in our mission to help connect the Latino community to the greater Memphis community. I want the Latino community in this city to feel like Memphis is their home because it is.

What do you love about what you do? 

I love being able to help my community. They have supported me throughout my education and now I want to give back to them. I  also enjoy working alongside some really amazing people that are so knowledgeable in their professions. I enjoy the opportunity to learn from them and hear about their work. 

Tell us a story about a time you saw your work make an impact on the Memphis community

 One of the greatest impacts my work has made on the Memphis community is the access to needed resources. There are many great resources in our city that sometimes go under the radar, so it is great to see families getting the resources they need.

You might also be interested in: The Performing Arts in Memphis: A Celebration of the City’s Soul

The post Ladies of Latino Memphis – Itzel Gomez appeared first on We Are Memphis.

Please share your full name, pronouns, and title!

Maria Grazia Boldrin (She/her/ella) / Home Study and Post Release services Case Manager and Project Manager for Trafficking Victim Assistance Program

What inspired you to work at Latino Memphis?

The opportunity to help people at disadvantage due to their limited literacy, language o immigration conditions

How do you relate to Latino Memphis’ mission?

Mi jobs relate with the Latino Memphis’s mission 100%. 

1. A) From the Heartland perspective, I work with unaccompanied minors and their sponsors (all of them from Central and South America), and I assist them by providing information and assistance to connect them with important services like low-cost clinics, education, and low-bono Immigration Attorneys, as well as other services that my clients may need like food pantries, free clothing, etc. 
2. B) From the TVAP end, I provide the same services mentioned above but in addition, my clients are assigned a specific budget that I manage every month in order to pay for important services like housing (rent), doctors appointments, food, clothing, legal fees or any other needs that require to be paid when my clients don’t have the financial possibility to do so. I also advocate for my clients in specific situations in which they need assistance.

What do you love about what you do?

Everything! I love my clients, I love my coworkers, I love the institution that I work for… what else can I say?

Tell us a story about a time you saw your work make an impact on the Memphis community.

When I am assigned a case of an unaccompanied child who gets in the United States without legal status, looking for a school, for vaccines, for family stabilization, etc., I turn myself 100% in pursuing solutions for them, and when it comes the closure of the case and I know that the minor is healthy, full vaccinates, attending to school and has legal representation, my heart beats full of joy, not only for all that has been achieved with this specific child but because of the impact that this change will produce in other people.

To learn more about Latino Memphis, visit the website at latinomemphis.org or follow them at @latinomemphis!

You might also be interested in: Itzel Gomez: A Dedicated Advocate for the Latino Community in Memphis

The post Ladies of Latino Memphis – Maria Grazia Boldrin appeared first on We Are Memphis.

The DJ industry has historically been a male-dominant space, but, within recent years, many female DJs and producers have begun to rise within this industry. 

There’s no shortage of women who can hold their own behind the turntables here in Memphis. There are countless impressive female DJs mixing tunes across the city, from seasoned veterans to rising stars. These DJs have performed for some of the city’s biggest festivals, held residencies at some of the most popular clubs, and they’ve assisted and worked with some of the industry’s most successful artists and agencies.

During Women’s History Month, we are working alongside Central Station’s DJ Series by celebrating their DJs: DJ Alpha Whiskey, Kerri Mahoney, and Janet Wilson and jamming out to the mixes they have created to empower us all.

DJ Alpha Whiskey
@djalphawhiskey

What skills do you think DJs need to be successful? 

In order to be a DJ, you need to have several skills. The most important skill in my opinion is rhythm. If you don’t have rhythm or know how to count beats then you won’t get very far. Another skill you should have is knowing your music or what music to play when you are at events. Lastly, you need to be professional. Playing music is one thing but you have to be on time, have the right equipment, and scan the crowd to make sure they are enjoying what you are playing!

What would you say is the most rewarding part of being a DJ?

The most rewarding part about being a DJ for me is inspiring other females to follow their dreams. I’ve always wanted to be a DJ but it wasn’t until I saw other female DJs and that inspired me to go after it!

How did you become interested in DJing? 

I’ve always wanted to be a DJ ever since I was a little girl but it was never the right time for me to learn and really take it seriously until 2016/2017. I told my good friend Zach Word that I always wanted to be a DJ and he put me in contact with the right people in the city. I started teaching myself how to DJ and the rest is history!

If given a choice to play a song you know will make the crowd go crazy, which do you play?

It never fails to play Too Short, Blow The Whistle. The crowd always goes wild! It’s a Classic!

Kerri Mahoney
@kmahoneystudio

What skills do you think DJs need to be successful?

Ultimately, it depends on what sort of DJ one wants to be— a club DJ, a radio DJ, a mobile DJ, or a turntablist. 

Personally, for me, a deep knowledge of music is key, and a desire to keep discovering. As it pertains to my radio show, this is particularly true, as there are always more international funk/soul/boogie/electronic rabbit holes to dive into – new music finds keep the show fresh.

As it pertains to Elmertha, it’s been deeply helpful for me to know a lot about the variety of genres within Memphis, as we play only music that has a connection to Memphis in some way or another. It’s helpful for me to appreciate various genres, and the musicians within them, so I can build a variety of “mini-sets” — and to know what to play to seamlessly bridge the genres over the course of a 5-6 hour set.

What would you say is the most rewarding part of being a DJ?

When I’m asked (with excitement!) “What WAS that song you played?” The connection I make with others when sharing music is the best feeling.

How did you become interested in DJing?

I am and always have been a voracious music consumer— I listen to music 6 to 8 hours a day as I work in my studio. I have a penchant for sounds from West Africa, the Caribbean, Central, and South America, from the 30s to today – but I am very well versed in music – R&B, house, garage rock, electronic, exotica, no wave, experimental…. I love it all!  

I’d share artists and songs with friends in conversation.  When they’d tell me how much they liked the music I had turned them on to, I thought I might have something to offer on a larger scale with my discoveries.

I had been curious about hosting a community radio show since moving to Memphis – I was seeking to participate in the Memphis music community in a new way, outside of graphic design. I submitted a demo show to WEVL as a lark — it was accepted, and I hosted a show for two years, playing tropical music, and learning the ins and outs of DJing on the radio from the ground up. 

Since I’ve started down this path, I’ve become exponentially more involved in DJ-related events —- I’ve played sets at “Record Store Day” events at Goner Records, for street parties, and regularly on Elmertha at Eight and Sand at the Central Station Hotel, where I spin records two times a month. I also have a show on WYXR 91.7 FM Memphis on Wednesdays from 1-2 called “Ring the Alarm”. 

If given a choice to play a song you know will make the crowd go crazy, which do you play?

“I Know You Got Soul” by Bobby Byrd and the JBs is one of my favorite party songs of all time!

Janet Wilson
@janetmobanet

What skills do you think DJs need to be successful?

You have to be a producer, a manager, a computer scientist, a librarian, a hardware engineer, and a sound engineer. Oh, don’t forget a lighting expert if you are a mobile DJ.

Different skills are needed based on what type of DJ you want to be.  DJing on the radio is different from djing in a club or djing at a private party.  The most important skill is knowing your audience and goal.  You have to adapt at any given moment.  At Eight and Sand, your audience can change from minute to minute.  I play 6 degrees of Memphis music – soul, pop, rock, blues and jazz often starting out more background-like and then building the energy up.  On the radio, I keep the energy high for the 2-hour set.  Wedding music is so broad.  You have to entertain all generations with music and dance.

Technical skills are necessary to learn how to spin physical music like a record or use a DJ controller and software.  You have to know how to manage sound levels because not all music is recorded equally.  You have to learn microphone skills.  You also have to learn how to set up your own sound system and DJ equipment.  If you use digital music, you have to organize your library.  You have to learn computer software like Serato to prepare, queue and mix your music.

Music research and acquisition is another necessary skill.  I tend to buy most of my music locally or online.  I typically don’t stream music during a live performance.  I prefer owning the physical track to minimize connectivity issues with wifi or cell.  You have to read music blogs, magazines, podcasts, or subscribe to music services to learn about new songs.  

Time management is important.  On average, a one-hour set of music is 13 to 14 songs.  You should always have more music than you need in case you have to shift genres for some reason.

What would you say is the most rewarding part of being a DJ?

When I see someone moving their head, shaking their rump or tapping their hand or foot, that makes me happy. When I can make someone’s day better with music, that’s rewarding.  If the party goers had a superb time, then I did my job.

How did you become interested in DJing?

As early as I can remember, music and I have a connection.  I’ve entertained people with music as a child playing from 8 track tapes and records. I made mixed cassette tapes and CDs for friends.  I started as a radio DJ first on WEVL FM 89.9 in Memphis.  I DJ’d private parties next.  Now, I DJ at Eight and Sand, on the radio at WYXR FM 91.7 and at private parties.  Sharing music is my passion.

If given a choice to play a song you know will make the crowd go crazy, which do you play?

At Eight and Sand, playing the Emotions “Best of My Love” or Sam the Sham and the Pharaohs “Wooly Bully” get people dancing.

https://www.youtube.com/watch?v=WPefERS7EZs&feature=youtu.be

As a mobile DJ, Abba “Dancing Queen” or Earth, Wind and Fire “September” make the dance floor pop.

If you like line dancing, the Cupid Shuffle or the Wop are winners.

You may also be interested in: Live Music Memphis Tonight | Memphis Live Music Calendar

The post Women DJs Turning Tables at Central Station Hotel appeared first on We Are Memphis.

Today, this tradition is alive and well in Memphis, as countless female artists continue to push the boundaries of music in new and exciting directions while keeping one foot deeply planted in tradition. In honor of Women’s History Month, we present five contemporary artists who are tapping into this deep wellspring of Memphis tradition while also charting their own paths. 

Liz Brasher

For Fans of: Mavis Staples, Louise McCord 

Although not a Memphis native, Liz Brasher’s music is unmistakably steeped in the city’s soul, gospel, and rock traditions. In fact, her influences are so varied, and her sound is so diverse that she is often referred to simply as a “Southern music artist,” a somewhat nebulous title that feels fitting, nonetheless. Since moving to Memphis in 2017, Brasher has immersed herself in the city’s musical culture, working with some of the Bluff City’s finest talents to create a retro-soul sound filled with spiritual undertones. What unifies all of Brasher’s music is her powerful voice, an undeniably beautiful instrument that can seamlessly transition from primal howls to gentle crooning with ease. In 2019, Brasher released her critically acclaimed album “Painted Image,” which received glowing reviews from prominent outlets such as Rolling Stone and NPR, solidifying her status as one of Memphis’ most promising and talented young singers. Most recently, Brasher released the single “Sad Girl Status,” a stripped-down and emotionally honest ballad that she says “was really born out of what I felt was a low point in my career, and subsequently my life.” You can find all of Liz Brasher’s music at https://www.lizbrasher.com/. 

Victoria Dowdy

For Fans of: Amy Lavere, Rosanne Cash

Few Memphis artists have been as busy over the past year as Victoria Dowdy, the singer-songwriter whose duo Oakwalker has released a string of easy-going singles during the last twelve months of lockdown. The group, which also includes violinist Ethan Baker, formed only months before the Covid-19 pandemic, which has been both a gift and a curse. While the duo hasn’t had the opportunity to establish themselves as a live act just yet, they’ve found plenty of time to sharpen and refine their twangy and organic sound. Although the type of Americana music that Oakwalker specializes in may be more synonymous with Nashville than Memphis, the fact of the matter is that country and folk music has a long and deep history in Memphis and is seeing a strong resurgence. As proof, Oakwalker recently participated in Folk Unlocked, which is an event held by Folk Alliance International that also featured Memphians Elizabeth King, Will Sexton, and The Tennessee Screamers. The duo also recently collaborated with Hunter Cross for their newest single “Oak Cross (Ode to Dolly),” which you can hear below. 

Jucee Froot

For Fans of: Gangsta Boo, Princess Loko

As any casual listener can tell you, today’s hip-hop airwaves are filled with confident women flaunting their independence and sexuality. Artists such as Megan Thee Stallion and Cardi B owe a debt of gratitude to the Memphis pioneers who helped to break through rap’s glass ceiling. Today, no Memphis rapper is carrying that torch more forcefully than Terrica Alexander, the fast-rising star better known as Jucee Froot. While the rapper has been a mainstay of the underground hip-hop scene for several years now, 2020 proved to be a major breakthrough for Jucee Froot, who released her major label debut “Black Sheep” and contributed several songs to TV and film soundtracks such as Insecure, P-Valley, and Birds of Prey. In a recent article with Uproxx, Jucee Froot revealed that she has recently been in contact with her idol, Gangsta Boo, which has many fans excited for the potential of a collaboration in the future. Although her growing status as an up-and-coming star is largely based on her party anthems, Jucee Froot recently displayed her serious side on the Black Lives Matter-inspired track “T.H.U.G.”

Valerie June

For Fans of: Memphis Minnie, Jessie Mae Hemphill

Perhaps more than any other artist on this list, Valerie June’s music is suffused with the spirit and sound of a bygone era, a brand of music she calls “organic moonshine roots.” Inspired by artists of the 1920s and ‘30s such as Mississippi John Hurt and Elizabeth Cotton, June has a unique ability to put a contemporary spin on some of America’s most traditional musical art forms. While her twangy soprano voice is her signature, June is also a talented multi-instrumentalist, playing guitar, banjo, and ukulele. After establishing herself as a cornerstone of the region with a series of homemade records and relentless touring, June began to catch the attention of music industry heavyweights such as Old Crow Medicine Show and The Black Keys’ Dan Auerbach, who helped to bring the artist to the next level. Today, June is a bona fide star within the world of Americana music and has amassed a fanbase that spans the globe. Next month, June will be releasing her much-anticipated 5th studio album “The Moon and Stars: Prescriptions for Dreamers.” In the meantime, you can hear June’s new single “Call Me a Fool,” which features Memphis soul icon Carla Thomas.

Talibah Safiya

For Fans of: Ann Peebles, Joyce Cobb

Since moving back to her hometown of Memphis in 2018, R&B artist Talibah Safiya has emerged as one of the city’s most promising young talents. Although we still haven’t received her upcoming debut album, Safiya has earned legions of fans through her captivating live performances and a string of singles that blur the line between the spiritual and sensual. Safiya describes her art as “diasporic,” a fitting description for music that pulls from virtually every genre and era of African American music from soul to hip-hop to jazz. This convergence of influences gives Safiya’s music a sense of being both fresh and timeless, a consistent theme amongst Memphis’ contemporary artists. “I feel like we have to deal with being a ‘legacy city,’ but we’re singing new soul classics, continuing the story of music through our music… I’m really grateful to be a part of that,” she says. While we anxiously await for new music from Talibah Safiya, you can check out her newest Three 6 Mafia-inspired single “A Wild One” below.

You might also be interested in: Memphis music

The post Bridging the Gap: 5 Contemporary Women Artists for Fans of Memphis Music Legends appeared first on We Are Memphis.

Are you wanting to celebrate Women’s History Month in Memphis, but you’re not sure where to start? Luckily for you, this city has some amazing upcoming events that you won’t want to miss. There are so many ways to honor women and celebrate them this month, right here in our city that’s rich with history. Here are just some events and activities you can participate in this March!

University Events

All of the following events are free and open to the public, so grab your gals and head to campus for some of these. (You can also choose to participate in The University of Memphis Women’s History Month Committee’s support of the Tiger Pantry. Donate items directly to the Pantry or purchase items off of their Amazon Wish List.)

March 11
5:30 PM | Chloé Hilliard: F*** Your Diet

The perfect mix of cultural commentary, conspiracies, and confessions, F*ck Your Diet pokes fun at the all too familiar, misguided quest for better health, permanent weight loss, and a sense of self-worth. Join online.

March 15
NOON | Make Your Own Bath Bombs

Join SAC On Alumni Mall Lawn at Noon on March 15 to pick up your make-at-home bath bomb kits. Each kit comes equipped with all the supplies you need to make six personalized bath bombs. Supplies are extremely limited.

March 17
11:00 AM – 2:00 PM | Women’s History Month Photobooth

Grab your mask and a friend, and join Student Activities council on Alumni Mall Lawn to take a picture in the Women’s History Month photobooth. Social distancing and masking will be strictly enforced.

7:00 PM | Women in Film Wednesday

Join Student Activities Council as they watch movies together that celebrate stories of strong women. Join online.

March 18
NOON | Paint by Numbers: Prominent Women Figures

Celebrate Women’s History Month in a unique way by painting incredible female icons on the Alumni Mall Lawn!

5:30 PM | The UofM Distinguished Lecture Series in Mathematics

The Cantor Sect will host Dr. Maria Chudnovsky, a distinguished mathematician from Princeton University, to give an approximately 1-hour lecture with a 30-minute question-answer session with the audience afterward. Join online.

March 19
11:00 AM | Spirit Swap

Swing by the Alumni Mall Lawn at 11:00 AM to pick up a special Women’s History Month t-shirt meant to celebrate and empower women.

12:30 | “The 19th Amendment: What ‘Votes for Women’ Really Meant”
History Department

In this talk, Dr. Catherine Jacquet (Associate Professor of History, LSU) will focus on the battle for women’s suffrage in the South, exploring how beliefs about race and gender-informed Southerners’ hopes and fears around extending the franchise to women. Join online.

March 23
3:00 PM | Let’s Talk @ KWS: Female Chefs Reflect on Working in a Male-Dominated Industry

Kemmons Wilson Culinary Institute
This event will feature a panel of female chefs discussing their career paths in the male-dominated culinary field. Join online.

March 24
7:00 PM | Women in Film Wednesday

Join Student Activities Council as they watch movies together that celebrate stories of strong women. Join online.

March 31
6:00 PM | WHM Closing Ceremonies

University of Memphis Alumna Summer Owens will be speaking on Women’s Empowerment. Summer is a renowned motivational speaker who uses her hard-learned life lessons from her life to educate, inspire, and motivate young adults to overcome their own success. Join Online.

All Month-Long

These events are occurring throughout the month, or are available online anytime. Be sure to check them out!

Wednesdays in March
4:30-5:30 pm CST | Breaking the Ceiling with Soul

Stax Music Academy will be hosting weekly “Women Breaking the Ceiling” Q&A sessions with women in male-dominated careers. These hourlong Q&A sessions will be free to young women and girls in the community and will feature female leaders from a variety of professions. Join as they share stories, insight, and advice from their career journeys on breaking barriers, overcoming fear, flipping the script on imposter syndrome, and what it takes to step up to positions of leadership. Located at Stax Music Academy, 910 E McLemore Ave, Memphis, TN 38106. RSVP here.

All Month – Online Exhibit

Revisit the Memphis Public Library’s Votes for Women online exhibit celebrating the 100th anniversary of women’s suffrage and the decades-long struggle by suffragists in Memphis, the state of Tennessee, and across the nation. Check it out through this link.

March 24 Through March 31

Muddy’s Bake Shop will be hosting their Open Studio: Cookie Decorating at their Broad Ave location. While this isn’t a strictly Women’s History Month event, it’s still a great opportunity to support a women-owned business while having some fun! Secure your place here.

All Month – Online Exhibit

Visit the National Women’s History Alliance’s website for resources, tools, and more. If you’re interested in diving deeper into the history of the month, this is the site for you. Check it out here.

Women’s History Month is a time to learn more about where we came from and celebrate where we plan to go. And with a city like Memphis, the opportunities to educate yourselves are boundless. Interested in checking out some of these events? Don’t wait too long to snag your tickets or secure your spots!

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Julien Baker

Julien Baker, a vocalist and multi-instrumentalist with a total of 1,017,787 listeners on Spotify has now grown into an internationally-renowned artist that graces big stages far and wide. Her amazing song “Souvenir” is a recent breakthrough hit with upwards of 30 million listeners jamming to it. Known for her raw and confessional lyricism,  Baker has been featured on NPR’s Tiny Desk Concerts not once but twice, and is now touring the world to places such as Barcelona, Madrid, London, Germany, and Sweden. Covering gigs for big names like Paste Magazine and CBS Mornings, one could say our girl, Julien, has made it and is loved not only in Memphis, but all across the nation! That’s what you call a hard working woman!

Valerie June

Valerie June has been gifting the industry with her beautiful vocals for many years. After first becoming a local sensation with her take on folk and gospel music, she became a Grammy-nominated artist for Best American Roots song. With a total of 729,998 listeners, she continues to grow beyond measures and finds her way into many other cities’ hearts. She received a feature from music great Carla Thomas and even made an appearance on NPR Tiny Desk Concert. Valerie continues to grow as she is signed with Fantasy Records & Concord Music Group. This will not be the last time you hear of Miss Valerie June!

Jucee Froot

 Lights, Camera, Action! Rapper Jucee Froot has all the actors, actresses, and directors covered with any track she releases! Her song “Danger” was featured on the film, “Birds of Prey”, while another song of hers “Down in the Valley” was chosen as the theme song for  “P-Valley”. She even had her song, “Eat Itself” featured in one of the hottest shows around, HBO’s “Insecure”. Now don’t get it twisted, film and soundtracks aren’t the only thing that has Jucee Froot at the top! She had every lady dancing and showing what they got with her hit song, “Shake Dat Ass”, which was released back in 2019. She’s had many successful rappers featured on her albums such as Juicy J, Rick Ross, and A Boogie Wit Da Hoodie. Signed to Atlantic Records with over 1.8 million listeners on Spotify, we are proud of our girl, Jucee Froot, and commend her for putting on for M-town in the best way possible!

Kirby

Despite a series of potential career roadblocks and a series of “nos,” Kirby refused to be defeated. The Memphis-based R&B singer showed the world what she was made of and switched up the songwriting narrative after being told that “maybe being an artist wasn’t her lane.” Kirby began her career as a songwriter, writing huge hits for artists like Rihanna, Beyonce, and Ariana Grande. “Four, Five Seconds” by Rihanna, Kanye West, and Paul McCartney, written by Kirby, spent 5 consecutive weeks on the Billboard Charts. Although being the one behind the pen was good for Kirby, she wanted more out of her career and began releasing her own music. In 2021, she opened up for artist and good friend Pink Sweats, and has been signed to Roc Nation’s label for quite a while. Yes, Roc Nation! Kirby’s strength is creating soul music that empowers women and tells the untold stories of love that are exactly what you need to get you through the day. Memphis is so very Proud!

Evvie McKinney

 From smaller stages throughout the city to big ones across the world, Miss Evvie McKinney is doing it! Once a student of a few talent foundations in the city and a member of a music-loving family, she has now gone on to be the winner of the well-known television show “The Four.” Shortly after, Evvie’s song, “Just like God” from her 2018 EP, reached #1 on Billboard Gospel Airplay, while her song “Bring the Whole Hood” became a top 20 radio hit. She has graced the stages of TeenChoice Awards, BET, and the Iheart Music Festival. Now signed to Motown Gospel, McKinney’s future looks brighter than ever!

Wendy Moten

Wendy Moten, who has toured  the world as a background singer for artists such as Tim McGraw, Faith Hill, and Martina McBride, has been opening doors for women for years. She has spent her career creating tracks that have reached Number 8 in the UK and making music with other greats in the industry. As a diverse singer covering all genres from jazz to country to R&B, Wendy Moten has leveraged her impressive skills into an exciting and successful career. She recently took her talents to the televised singing competition “The Voice” and closed out her year as a 2021 finalist. Go Wendy!

In honor of Women’s Month, we encourage you to support these women and continue to support Memphis music!

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We’d love to hear from you if your favorite artist isn’t represented on this list – head over to IG and let us know! We’ll keep adding songs and look to spotlight more artists Memphis music lovers need to know. (And if you’re like, hey! Where’s the hip hop?? We’ve got a dedicated mix coming your way later this month!)  

We couldn’t pick favorites – we love every track in this mix! – but we pulled out a few that just feel like essential listening. Here they are: 

Memphis Minnie “When the Levees Break”

Lizzie Douglas, better known as Memphis Minnie, was a pioneering figure of the early blues and has been described as “the most popular female country blues singer of all time.” Among her signature tracks is 1929’s “When the Levees Break,” a song about the upheaval caused by the Great Mississippi Flood of 1927. Decades later, Led Zeppelin would put their own iconic spin on the track, bringing even further attention to one of Memphis music’s first big female stars.

Ann Peebles “I Can’t Stand the Rain”

An absolute classic from an absolute queen, “I Can’t Stand the Rain” was originally released in 1973 and quickly became a Southern soul standard. Ann Peebles co-wrote the song with her husband, a multi-talented singer and songwriter in his own right, Don Bryant. Soon after its release, John Lennon famously called it “the best song ever,” which is high praise coming from one of the greatest songwriters in history. Peebles was inducted into the Memphis Music Hall of Fame in 2014. 

Julien Baker “Faith Healer”

There’s so much to love about Julien Baker but we’ll start here: even with her massive success, she hasn’t turned away from the musicians, collaborators and spaces in Memphis that helped to make her the artist she is today. Her latest album, the lush Little Oblivions, was largely tracked at Cooper Young studio Young Avenue Sound, and has gotten rave reviews everywhere from Pitchfork to Rolling Stone. This track, “Faith Healer,” was the first single from the album and gave us our first taste of this richer sound from Julien, who in spite of leaping to fame as a singer-songwriter came up playing in bands in Memphis.  One thing hasn’t changed: her gift for writing songs that slay you, every single time.  

 Talibah Safiya “A Wild One”

It’s no secret that we stan the South Memphis Angel. Naturally, we struggled to pick just one track of Talibah’s for this playlist, but “A Wild One” is a perfect starting place for her music. It’s smart and funny, a little raunchy, a lot playful and just straight up neosoul magic. Talibah is a native Memphian who spent time in NYC stretching her creativity as a singer, songwriter and artisan-entrepreneur (have you checked out her jewelry line Pretty Bull or latest venture Mama’s Sundry?) and came back home to take it to the next level in 2016. She’s been prolifically releasing music ever since and we can’t get enough. 

Nots “Reactor”

If you were somehow under the impression that the music created by Memphis women isn’t as aggressive and muscular as their male counterparts, then the all-female punk trio Nots should put that notion to rest. First formed in 2011, the group has earned nation-wide acclaim with their distorted, politically-charged music that borrows from punk, electronica, and hard rock in equal measures. Although their most recent album “3” has plenty of worthy bangers to choose from, the song “Reactor” from their debut album finds them in all of their rowdy glory.

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Pat Mitchell Worley

Pat Mitchell Worley is a prime example of a woman supporting the Memphis music industry from all areas. “I am an evangelist for Memphis music,” Mitchell Worley says. “I grew up on the soul sounds from Stax and Hi Records and I’ve been exposed to blues since birth. In high school, I discovered Memphis music as a fan of rock acts such as Tora Tora when I attended Kirby High School. It was because of these burgeoning musicians that I chose a path in music.” Her resume is packed with so many examples of how she’s dedicated her life to not only building up the music industry but also inspiring the younger generations to use their talents to create amazing music. While you may know her from the iconic Beale Street Caravan Radio Show she’s co-hosted for more than 20 years, she’s also the Executive Director for the Stax Music Academy. Here, she leads the charge in inspiring the next generation of Memphis’ musicians. She’s not only built a safe space for the young performers to achieve their musical goals, but her and her team’s efforts have allowed for their talents to be shared on a national (and international) stage. The academy’s stellar achievements this year, such as the Inauguration performance to their even more recent Black History Month virtual program, are just a few examples of how Mitchell Worley’s mentorship and leadership play such an instrumental role for both the students and Memphis as a whole. “I was determined to help these great artists get the attention they deserved. Working as a music writer, I learned more about our music history and how this town inspired not just me but also the world,” she adds. “I have dedicated my career to helping Memphis musicians be successful, whether the next generation at Stax Music Academy, up and coming artists through Memphis Slim House, or the professionals in my service with The Recording Academy.” 

Andria Brown

If there’s one thing to know about Memphians, it’s that we don’t need a traditional venue to have a good time. Whether it’s in a park by the river or in someone’s home, music lives and breathes everywhere in the city. As the founder of Folk All Y’all, Andria Brown has not only made it her mission to provide musicians with an intimate space to play through her public listening room series, but she’s also made it her mission to celebrate every singer-songwriter from the beginning. And we mean every. She’s worked hard to ensure that the artists are not only given equal opportunity to perform but she also even goes the extra mile to make sure they receive every cent from performances. Even when the pandemic caused live music to come to a halt, she’s continued to support musicians by sharing their virtual concerts and events.  “My focus with Folk All Y’all is giving singer-songwriters from all over the world a chance to be heard by truly appreciative audiences,” she says. “Many of the musicians I book are playing Memphis for the first time, and one of my favorite things about producing the series is watching them fall headfirst in love with the city. After years as a booking agent sending local artists outside of town, I hope I’m now enriching our music community by adding new voices and building connections to Memphis.”  

Laura Jean Hocking

Musicians know all about creating music that speaks to our soul and, combined with a music video that gets the message across, the song tells a story in a whole different way. That’s where Laura Jean Hocking comes in. “Memphis is not a classic industry town, in reference to music or film, so there is no pressure to fit into a mold. Memphis musicians are uncompromising about their art, drawing on a deep tradition of constructing new fusions and being fearlessly creative with their resources,” Hocking says. “I love working with Memphis musicians on music videos because I get to interpret visually the freedom they feel in creating here.” This local filmmaker has directed, produced, and edited several award-winning films, but did you know that she’s also worked on music videos for some of your favorite local artists? From the likes of John Kilzer to Louise Page, Hocking’s work has added the perfect touch to Memphis’ music industry. In fact, her work on Louise Page’s “Paw in the Honey” music video recently won the audience award for Best Hometowner Music Video at Indie Memphis 2020. Click here to check it out!

Amy Wright

With more than five million viewers (and the crazy amount of stickers you’ve probably seen around town), DittyTV is making their mark on the music scene. After moving back to Memphis with her husband, Amy Wright co-founded the streaming network that shares everything related to Americana and roots music. Upon returning to Memphis, the couple’s original plan was to develop the building into a studio for their own use but they eventually developed the space to host the broadcast. Amy also founded the Ditty Foundation to ensure that Americana and Roots music’s preservation and advancement. “I grew up in Memphis and have always believed in the musical magic that comes from this region.  Artists who come through the DittyTV studio consistently say that the creative inspiration they get from just being in Memphis is why they come,” Wright says. “Being a part of the music industry in Memphis allows me to work with artists from all over the world who make a pilgrimage to Memphis just to experience this magic, and it has also allowed me to collaborate with so many talented people who make up the Memphis music family.” Memphis is a city where so many genres’ roots inspire today’s sounds and there isn’t a better place for Ditty to call home.  

Natalie Wilson

Pre-pandemic, Memphians know that warmer weather is a sign that outdoor concerts are coming. Sure, every city has its favorite patio to catch some live performances, but Memphis has the Levitt Shell. There’s nothing better than cozying up with your loved ones (or your favorite brew) and listening to either your favorite local legend or catching a band that’s dropping in from out of town. Executive Director Natalie Wilson works hard with her team to not only continue the Shell’s mission to provide the community with free music, but also to ensure that every single Memphian or visitor feels welcome to experience it all. “Our industry is authentic, real and special because it’s PEOPLE-powered. Our industry is vibrant and diverse because it reflects the incredible people that make up Memphis and the relationships that bring us together as an industry,” Wilson says. “Now more than ever, my passion is to focus on caring for these relationships so that as we move out of the pandemic, we have grown in our intentionality and connection.” With musicians from every genre getting some time on this iconic stage, Wilson ensures that there’s something for absolutely everyone.   

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Women have been directing films from the beginning of cinema — and have continued to break new cinematic ground since.  Earlier on women sometimes had a good shot at participating, but as the studio system took shape, men largely muscled women out of directing, producing, show running and other key creative roles. Female directors persisted anyway, innovating techniques and tackling subjects once prohibited to their gender. This piece focuses on filmmakers that have innovated or pushed boundaries in some way. Thanks to a push for more women in this film and television space. 

These 5 women filmmakers have produced a wide range of creative content, from narrative and documentary shorts and feature films to commercials and web series, even establishing film festivals. These women have learned from their experience developing projects from concept to completion right here in Memphis and beyond.

Miriam Bale

Miriam Bale is the Artistic Director at Indie Memphis. Indie Memphis is a year-round program that inspires, encourages and promotes independent films and filmmaking in Memphis. The year-round organization is best known for its annual Indie Memphis Film Festival presented by Duncan-Williams, Inc., which transforms the city into a connecting point for filmmakers, musicians, artists, and audiences. Bale has covered films for popular publications such as The New York Times, Sight and Sound, and Film Comment. She’s organized film programs and founded a film festival in NYC. She, along with The Memphis Indie team has done an exceptional job keeping film in Memphis in the forefront during the pandemic.

Melissa Anderson Sweazy

Melissa is an award-winning screenwriter, film and music video director, podcaster, essayist, and photographer. Right here in Memphis, she began to create films on her own terms.  Resurrecting scripts, and handling the production process, she has been able to direct and produce several of her own works. Sweazy has created an animated short for the Grizzlies through a grant. She also created a documentary about Camp Good Grief which won both juried and audience awards at film festivals. You can see her movies and catch up on her sporadically updated adventures at melissasweazy.com.

Katori Hall

Memphis-native Katori Hall is the book writer and co-producer of the West End and Broadway hit, Tina: The Tina Turner Musical. She’s also the executive producer and showrunner of P-VALLEY, the breakout Starz drama based on her play Pu**y Valley. Katori is an award winner, known for her writing, playwriting, journalism, and acting. She is, perhaps, best known for The Mountaintop. The play, which fictionalizes the last night in Martin Luther King Jr.’s life, won the Olivier Award for Best New Play in 2010 before opening on Broadway in October 2011 to critical acclaim. Katori’s other works include the award-winning Hurt Village, Hoodoo Love, Saturday Night/Sunday Morning, Our Lady of Kibeho and The Blood Quilt. She is also the director of the award-winning short, Arkabutla. Katori is currently developing multiple projects across film, television and theater.

Lauren Ready

Lauren is an Emmy award-winning storyteller with more than a decade of experience. She spent the first part of her career in TV journalism. Ultimately, WMC Action News 5 brought Lauren and her husband Scott to Memphis. And it was here that Lauren found her passion for telling the stories she does now, as owner and Principal Storyteller for Forever Ready Productions. She directed and produced an Emmy award-winning short documentary called “Bike Lee.” It won Audience Choice at the Indie Memphis Film Festival. She created the Emmy-nominated video featuring a former Regional One Health patient who, after a tough battle against near death, was reunited with his doctors and nurses who saved his life. She directed the team-wide production of 2018 Indie Memphis winner “You Must Believe,” which took home the Audience Choice award in the Hometowner Documentary Short category. It also won an Emmy in 2020. Lauren is constantly producing and capturing stories visually.

Zaire Love

Zaire is an award-winning filmmaker, music maker, and writer whose mission is to honor, amplify, and archive the stories and voices of the Black South concentrating her work in Memphis and Mississippi. Her artistry is an ode to being Black and southern in America because the Black South has always had meaningful “cornbread” to share. In her TEDx talk, Baby Hair + Hot Sauce = Embrace What They Ain’t, she talks about the power that Black women [Beyonce and Fannie Lou Hamer] from the South possess and how that power of embracing what others are not is the power that makes them legendary. Zaire is currently making and creating with her studio, Creative Cornbread. Check out her works at zairelove.com.

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We’d love to hear from you if your favorite artist isn’t represented on this list – head over to IG and let us know! We’ll keep adding songs and look to spotlight more artists Memphis music lovers need to know. (And if you’re like, hey! Where’s the hip hop?? We’ve got a dedicated mix coming your way later this month!)  

We couldn’t pick favorites – we love every track in this mix! – but we pulled out a few that just feel like essential listening. Here they are: 

“I Can’t Stand the Rain” by Ann Peebles 

An absolute classic from an absolute queen, “I Can’t Stand the Rain” was originally released in 1973 but its story has a beautiful thread through to Memphis music in 2021. Ann Peebles co-wrote the song with her husband, a multi-talented singer and songwriter in his own right, Don Bryant. It was Peebles’ biggest hit, reaching No. 38 on the U.S. pop charts and No. 6 on the R&B charts, and she and Don Bryant actually got hitched a year after its release. He spent most of the next 10 years writing for her, but you’ll find his own take on “I Can’t Stand the Rain” on his 2020 Grammy-nominated album You Make Me Feel. Ann Peebles released 10 albums in her career (we also recommend you check out “99 Pounds” and “(You Keep Me) Hangin’ On”) – seven of which were on Hi Records. She was inducted into the Memphis Music Hall of Fame in 2014. 

“B-A-B-Y” by Carla Thomas 

Carla Thomas is often called the Queen of Memphis Soul, and with good reason. There are so many songs we could’ve picked from Ms. Thomas for this mix – the King and Queen album she did with Otis Redding is a must-listen, must-own, must-play-repeatedly – but we had to go with the ultimate, “B-A-B-Y.” Carla was just a b–a–b–y herself when she snuck into the Teen Town singers, a young people’s vocal group sponsored by WDIA, at the tender age of 10. She knew she had to share those pipes with the world from the beginning! We respect the hustle. There’s basically no way you haven’t heard this song before, so after you sing every word and want to explore more Carla, check out her 1961 album Gee Whiz.   

“After Laughter Comes Tears” – Wendy Rene 

If you didn’t know about Wendy Rene until recently, you’re not alone. Ariana Grande sampled this song for “Fake Smile” on her 2019 album Thank U Next – we can’t say if Ari is a vinyl head or not, but maybe she discovered the magic of Wendy Rene like we did on Light in the Attic’s fantastic 2012 compilation of her hits, After Laughter Comes Tears: Complete Stax & Volt Singles + Rarities 1964–1965. It’s a stunning collection of songs, made more incredible by the short period of time over which they were released, and will undoubtedly leave you wondering why Wendy Rene never hit it big.  

“Faith Healer” – Julien Baker 

There’s so much to love about Julien Baker but we’ll start here: even with her massive success, she hasn’t turned away from the musicians, collaborators and spaces in Memphis that helped to make her the artist she is today. Her latest album, the lush Little Oblivions, was largely tracked at Cooper Young studio Young Avenue Sound, and has gotten rave reviews everywhere from Pitchfork to Rolling Stone. This track, “Faith Healer,” was the first single from the album and gave us our first taste of this richer sound from Julien, who in spite of leaping to fame as a singer-songwriter came up playing in bands in Memphis.  One thing hasn’t changed: her gift for writing songs that slay you, every single time.  

“A Wild One” – Talibah Safiya  

It’s no secret that we stan the South Memphis Angel. Naturally, we struggled to pick just one track of Talibah’s for this playlist, but “A Wild One” is a perfect starting place for her music. It’s smart and funny, a little raunchy, a lot playful and just straight up neosoul magic. Talibah is a native Memphian who spent time in NYC stretching her creativity as a singer, songwriter and artisan-entrepreneur (have you checked out her jewelry line Pretty Bull or latest venture Mama’s Sundry?) and came back home to take it to the next level in 2016. She’s been prolifically releasing music ever since and we can’t get enough. 

“Can’t Stand U Anymore” by River City Tanlines 

Is it really a mix of Memphis women in music if you don’t include at least one track from the indomitable Alicja Trout? Let’s be real, there should be 10 or 12 on here – we narrowed it down to two: this favorite from River City Tanlines’ 2012 album Coast to Coast and “Shadow Hills,” which was a track from her Alicja Pop release Rats (Home Recordings 2009-2013). From Lost Sounds to Alicja Pop to RCT and Sweet Knives, Alicja has long shown she can shred while also bringing through a pop songwriting sensibility that crafts melodies and choruses that stick in your head. Alicja was also a Crosstown Arts Resident Artist Fellow in 2018. 

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In 2019, the Stax Museum of American Soul Music shared the accomplishments of women in the Memphis music industry through an exhibit appropriately named “Run This Town: Memphis’ Women of Soul, Past and Present” and We Are Memphis is partnering with Stax to continue celebrating these influential women. When the exhibit ended in 2020, it did without much fanfare because of this whole global pandemic thing – and that just didn’t sit well with us. So we sat down with Stax Museum Executive Director Jeff Kollath to talk about how “Run This Town” paid tribute to the women of today and yesterday. And stay tuned – there will be virtual opportunities to celebrate this month, too!  

We Are Memphis Music: Run This Town has such an important message. What inspired you to create the exhibit?

Jeff Kolath: Women in this industry are at the core of our identity as an organization, but it all started with Stax Records and what Estelle Axton did for that company. It wasn’t just working with her brother Jim Stewart, facilitating the making of records, and running the satellite record shop up front, but it was also what she meant to all of the young people she hired and the guidance and leadership she provided for them and the company. She really understood the record business and the music industry. She understood what was hot and paid attention to the customers and kids that came into the store. She was always trying to make things happen and so many people speak so highly of her and what she meant to them. She was truly the heart and soul of the company.  

So much so that when we speak about opportunity here at Soulsville, a lot of that comes from her and her brother just giving young people of color the opportunity and the space to be creative. She is so much of the inspiration that we draw from and we thought that the exhibit was a great way to honor her and some of the women of Memphis’ music past. When we started talking about it, we saw the natural parallel between what happened in the past and what is happening in Memphis music today. Women are making a mark and putting Memphis’ music on the map and, even though I wish we could have covered everybody, we drew from those who we’ve worked with in the past and whose work has always impressed us. We included people like my colleague Kimberly Hooper Taylor and our neighbor at Memphis Slim House, Tonya Dyson. She’s always doing something whether it’s running the Kickspins record shop, performing, or just trying to build community through the work that she does. She’s so immensely creative, giving, and caring and works really hard to put Soulsville USA on the map for its current music. It was exciting to highlight her because people in Memphis know who Tonya is, but our guests from outside of Memphis don’t. 

It’s also an opportunity to showcase artists like Talibah Safiya and Liz Brasher who we believe represent the original ethos of Stax and come at things in a different sort of way. Liz is an amazing singer-songwriter, but she also plays guitar in her band. That’s inspiring for the young female instrumentalists at the Stax Music Academy. It’s also really powerful that she’s not a Memphis native, but she’s someone who has embraced Memphis. She’s an incredible role model for female musicians, but also just all musicians, period. Talibah is an amazing poet and has taken Memphis soul and brought it into the 21st century. It’s always exciting to give some shine to new Memphis artists. There’s representation from the business side of things too — Elizabeth Cawein is somebody who is, again, so passionate about Memphis and has really blazed her trail. She eats, sleeps, and breathes Memphis music. It’s a credit to her, but also to the city for being so receptive to the work that she does, too.  

Everyone is so giving with their time and expertise — I don’t know how some of them find the time to do what they do, but, to me, it’s why I think the title of women in Memphis music is so important. These women have just given their time to Memphis music and believe in it. It’s all in staying here. To me, that’s where a lot of that true authenticity comes from. Staying here because you believe in it. You can hone your craft here, make your way, and then try to get a job in Austin of L.A. or something. Staying here and pushing, believing, and hustling is something special. All the women in the exhibit have done that. 
 

WAMM: Out of the 12 women featured, which is your favorite story and why?

JK: I’m always partial to our good friend Natalie Rosenberg. She is one of the lesser known figures and how she came to be involved is such an amazing story. Her husband was Seymour Rosenberg the lawyer and musician, but Natalie grew up in Memphis. She went to Central High School and used to sneak across the river to go to nightclubs in West Memphis. She fell in love with music and, after she married Seymour and he became involved with Memphis music, there were musicians around all the time. She even tells these stories of Isaac Hayes babysitting her kids.  

She eventually started working on and producing records. Like so many others in Memphis — a reason why I love our music community so much — she wasn’t trained to be a record producer or anything. She found herself in the position, had some support, asked the right questions, figured it out, and then started working with these bands. As her husband progressed in his career, she continued to work with the bands and became close with the folks here at Stax. She produced some garage rock and other records for the Hip label which is one of Stax’s subsidiaries. She eventually branched out and built their own studio out of an old service station. They kept the facade and the building behind it, but basically built the studio from scratch. She worked with people to pick the equipment and did all the interior design, but she essentially designed the studio after Stax’s studio. A big difference was that she wanted it to be a place where musicians were comfortable and wanted to hang out– it was more like a lounge. Even the marketing materials for the studio were basically “relax and come make a record.” There’s a photo of her at the console with a big hairdo, false eyelashes, and everything. It’s just awesome. Even after her divorce, she worked in Memphis radio for 20 years. She’s worked at nearly every possible angle of Memphis music and she’s so humble about it. It’s just amazing that she did everything that she did all while raising a family at the same time.
 

WAMM: If you had to share just one lesson out of the many that someone can learn from the exhibit, what would that be?

JK: We know we’re not the only ones to do this, but a big thing that we talk about at the museum is that people should never forget that the Memphis music we know and love would never have existed without women being at the forefront. From Marion Keister recording Elvis Presley when he came into Sun Studios, Estelle Axton, all the amazing work that Deanie Parker did to promote Stax artists, helping create the Soulsville Foundation, Stax Academy, and the Stax Museum, and Bettye Berger who managed artists and was a radio DJ to the current industry with people like Liz, Tonya, Elizabeth, Kirby, and Talibah.  

Soul music being such a male–dominated genre, and you often think of Stax’s big artists like Otis and Isaac. But you’ve got incredible female artists from Carla Thomas, Wendy Rene, and the amazing Shirley Brown. Women have always played such an important role here at Stax and I think that’s why we were inspired to do this exhibit and why we continue to talk about it. It’s also so important for all the women at the Stax Music Academy, too. They’re the next generation. Women in music doesn’t just start with Marion and Elvis, it goes back through gospel, blues, jazz, and even further back. It’s been a century-plus — way more than four or five generations.  

It’s such an empowering story and, for us, it’s just one more thing that we want everyone, but especially Memphians, to learn and understand about this community. It’s not just Elvis and all the other male artists. As far as the business side of things, making the companies go, promoting records, and sharing with the industry, through all of that incredible work, there was a woman involved at every step.  

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by. Kirstin Cheers

March kicks off another International Women’s History Month, and Memphis doesn’t slack in powerful women calling the shots everyday in their respective fields. There’s a number of women in Memphis – from the nonprofit sector to Fortune 500 companies –  who are demolishing glass ceilings and breaking barriers for the upcoming generation of leaders. Here’s ten women in the C-Suite at their jobs who we’d like to honor and salute this Women’s History Month: 

1. Monica Wharton, Methodist Lebonheur Healthcare

The name ‘Wharton’ is a familiar one in Memphis, but Monica Wharton isn’t one to fall behind the shadows of name recognition. As Chief Legal Officer of Methodist Lebonheur Healthcare, she oversees the strategic direction for the non-for-profit healthcare system in the areas of Legal, Compliance and Risk Management.Growing up in New Jersey, Monica is a graduate of Hampton University and William and Mary Law School. Before transitioning to health care, she practiced employment law at Glankler Brown law firm. She is known as one of the sharpest people in the city, always reaching for solutions and not dwelling on the problems. She’s married to Andre Wharton, son of former Memphis Mayor, A.C. Wharton – hence the last name. She’s well respected in the city whose reputation precedes her around the county.

2. Ursala Madden, City of Memphis

You didn’t think our awesome mayor was leading Memphis on his own, did you? From his speeches to his media appearances, you have a woman to thank for making our mayor looking exceptional – Ursuala Madden. Ursula’s claim to fame started way before taking over as Chief Communications Officer for Mayor Jim Strickland. She was a main anchor on WMC-TV 5 for over 17 years, leaving the station with an Emmy and a wealth of Memphis knowledge and experience. In 2016, she was hired and created the first Office of Communications for the City of Memphis, being the first person ever to hold that role. The team handles public relations, marketing, and media relations for the City as well as The City Council. Ursula is a native of Oakland, California, but we’re so happy she’s made Memphis her city of choice!

3. Emily Callahan, St. Jude

It makes all the sense that a woman would be behind the world-class marketing, videography and digital reach of St. Jude Children’s Research Hospital. Emily Callahan, Chief Marketing & Experience Officer for ALSAC, oversees the development of marketing, brand and communications strategies that we all get to see on our televisions and cell phones everyday. She also oversees ALSAC’s Corporate Social Responsibility Platform and event experiences for St. Jude supporters. Under her leadership, St. Judge has been named the Health Not-for-Profit Brand for five years by Harris Interactive. She continues to lead one of the top brands and workplaces for millennials and Gen-Z to work. We all love St. Jude, and we have Emily to thank for that. Before joining St. Jude, she worked as Vice President of Global Marketing and Networks for Susan G. Komen. A native of Oklahoma, Emily received her bachelor’s degree from Baylor University in journalism/public relations and a master’s from The University of North Texas in marketing/management.

4. Patrice Williamson-Thomas, Shelby County Schools

It takes a heavy hitter to manage people and day-to-day operations of an entire school district. That’s why Patrice Williamson-Thomas is the best at it. Patrice serves as the Chief of Staff of Shelby County Schools and was appointed to the position by Superintendent Joris Ray in 2019. Previously, Thomas served under Mayor Lee Harris as the Chief Administrative Officer, and worked under the previous four mayors of the City of Memphis in various roles. According to Chalkbeat, she was the city’s youngest and first African-American comptroller, deputy director of public works and depuy chief operating officer. A native Memphian, she’s no lightweight and we’re excited to see what she does next. 

5. Casey Condra, Orion Federal Credit Union

There are so many hidden gems in the city, and it’s Casey Condra’s time to shine. A graduate from the University of Arkansas, Casey got her degree in journalism, advertising and public relations in 2001. Less than 20 years after walking across the stage, she now serves as the Chief Marketing Officer for Orion Federal Credit Union here in Memphis. She brings over 10 years of political and non-profit consulting work from Little Rock, Arkansas, and started Orion in 2017 as Director  of Marketing and Business Development.

6. Bathsheba Sam, International Paper

As Vice President of Human Resources for International Paper, Bathsheba Sams offers over 35 years of experience in the forest products industry. A graduate of the University of Mississippi, she’s worked in fields ranging from engineering, manufacturing, business and corporate human resources. She’s an alumni of Leadership Memphis 2004, and recognized in 2017 as a “Super Woman in Business” by the Memphis Business Journal. She’s held board positions including serving as chair for NEXUS, executive board member for the National Civil Rights Museum, and a member of Memphis in May and Memphis Tourism. 

7. Pamela Clary, Community Capital LLC

Pamela Clary is another force in Memphis who people should get to know. With a MBA from LaSalle College in Philadelphia and a B.S. from Drexel University, Pamela currently serves as the vice president and partner for Community Capital LLC, a local firm that provides affordable housing and community development consulting. She was recently reappointed to the Memphis-Shelby County Airport Authority where she’s served since 2014. She’s a longtime Memphian and an active member of Delta Sigma Theta Sorority, Inc. 

8. Ivette Butron Ramos, Butron Media Corp and La Jefa 99.3 FM

What started as a presumed vacation turned into a full-time job for Ivette Butron Ramos. Ivette had done journalism in Mexico City, but quickly transitioned into radio in Memphis. She was young, eager and willing to learn and dive into the media. She would later meet her husband and work between Orlando, Nashville, and Little Rock. After meeting with a former boss from Memphis, both Ivette and her husband decided to return to Memphis and jump back into Radio Ambiente with the hopes of buying it one day. And they did in 2018, purchasing the signal for WGUE La Jefa 99.3 FM adn 1180 AM. She is the first in Memphis and the second Hispanic in Tennessee operate and own entirely a radio station. Ivette manages the station alongside her husband under their business Burton Media Corp. 

9. Jozelle Luster Booker – Mid-South Minority Business Council Continuum

Jozelle Luster Booker is the second child of seven children and grew up on  300-acre estate owned by her family. She spent most of her childhood indoors because her father believed girls were responsible for chores while the boys worked outside. She comes from a long line of entrepreneurs who instilled in her the business acumen and hard work she possesses today as President of the Mid-South Minority Business Council Continuum. She studied marketing at The Jackson State University in 1980. She worked as a temp in Memphis after graduation, and took a job as a typist with Memphis Light Gas and Water (MLGW) in 1986. Over the course of three decades, Jozelle became the company’s first supplier diversity officer. She retired in 2017 and joined the MMBC Continuum as president. She’s tasked with building relationships and counseling entrepreneurs, business and community leaders with advice on leveraging and creating economic growth that could combat the poverty many face in our city. She’s on the cutting-edge of implementing real change in Memphis and inspiring leadership around the world. 

10. NeShante Brown, Soulsville Charter School 

Ever wondered who was the driving force behind the success of The Soulsville Charter School? Yep, it’s a woman. NeShante Brown serves as the Executive Director of one of the top performing charter schools in the city. With over 100 percent college acceptance rate, Brown leads by an example of excellence for her students and staff. A native of Memphis, Brown’s been serving as ED since 2005, but got her start into education as a math teacher with Memphis City Schools. With a master’s from Christian Brothers and a PhD from Vanderbilt University, it’s no wonder why Soulsville continues to make headlines across the county.

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13 Impressive Stats on Female Entrepreneurship in the US

1. There are approximately 13 million women-owned businesses in the U.S: When you consider the fact that there were only 402,000 women-owned businesses in 1972, this number is absolutely mind-blowing. As more women venture into entrepreneurship, they can begin chipping away at the gaps women historically have faced. The past year was pivotal in bringing important issues to light. From #MeToo to #TimesUp and the unprecedented number of women running for public office, it was a great year for change. 
2. US women-owned businesses generate $1.3 trillion a year: Women-owned businesses make up 39% of all total businesses, leading many to think that women do have a large impact in the business world. However, there’s still plenty of room to grow. Women-owned businesses only employ 8% of all US workers and the $1.8 trillion revenue is roughly 4% of the total annual revenue. 
3. Between 2014 and 2019, the number of women-owned businesses increased 21%, while all businesses increased only 9%. 
4. 64% of new women-owned businesses were started by women of color in 2017. This double-digit soaring isn’t stopping anytime soon, according to Shelley Zalis, founder of the consulting firm Female Quotient, who predicts that this trend will only become more impressive. “More women and minorities are writing their own rules of work, and bringing products and services that will help to fill the wants and needs of other women, who influence more than 85% of all purchasing decisions,” she shares. “Tapping into these various markets by speaking the language firsthand and understanding the specific needs of marginalized communities gives these women a unique perspective and an incredible opportunity for success.”
5. Latina women-owned businesses grew more than 87% between 2007 and 2012 further strengthening the case for the value of diversity.
6. In case you’re still skeptical, there are 114% more women entrepreneurs than there were 20 years ago
7. With tech sector expansion in Memphis, it’s great to see that women are getting a piece of the pie. Private tech companies led by women achieve 35% higher ROI: According to Forbes, when private tech companies are run by women, they render a 35% higher return on investment than those run by men.
8. Women-founded companies in First Round Capital’s portfolio outperformed companies founded by men by 63%: Forbes also finds that women-founded companies in the venture capital firm First Round Capital’s portfolio outperformed those founded by men by 63%. 
9. As reported in 2018, Just 25% of women business owners seek business financing: Imagine this, if more women business owners seek and gain access to business financing for growth opportunities, their contribution to total US revenue will skyrocket. 
10. Women have a 69.5% success rate of crowdfunding for their businesses while men have a 61.4% success rate: Women have a higher success rate in crowdfunding than men by about 8%. Crowdfunding is an excellent channel for women entrepreneurs currently and certainly one that they should consider when pursuing funding.
11. 57.4% of the SBA Microloan program’s 2014 loan went to women-owned or women-led businesses: Despite women’s difficulty attaining conventional loans, well over half of the SBA Microloan program’s loans went to women-owned or women-led businesses. This program is a prosperous channel for females in need of capital.
12. Women-owned businesses are growing at a rate of 5%: This growth rate is more than twice as fast as the growth rate of all other firms. 
13. Nearly 10.9 million Americans are employed by women-owned businesses: Act like a lady and think like a boss…If you then include the firms that are co-owned equally by men and women, the percentage of total U.S. employment jumps to 14%.

If you’re interested in becoming a member of the National Association Of Women Business Owners-Memphis or supporting women in business, please visit https://nawbomemphis.org/

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